#unaligned

El Pregoner del Metallpregonermetall
2025-09-08
2025-08-25

Visitant – Rubidium Review

By Owlswald

No matter if you’re a seasoned band or new to the game, choosing the right pre-release track is critical when kicking off PR for a new album. And in a crowded music scene, where everyone is fighting to make their mark, the challenge is even greater: can you leave a lasting impression in the first few minutes to make me want to keep listening? Pensacola, Florida’s Visitant did just that with “Starless,” the first single from their debut album, Rubidium. Taylor Tidwell’s (Unaligned) blackened riffing, the death-infused rhythms of drummer Anthony Lusk-Simone (Abiotic) and bassist Kilian Duarte (Abiotic, Scale the Summit), and the tormented shrieks of vocalist Chelsea Marrow (Voraath) grabbed me immediately, leading me to promptly snag the full promo from the bone pile. Intended to be a departure from the members’ other projects, Rubidium offers a visceral and harrowing descent into a hellish, otherworldly state driven by profound loss and torment.

Visitant blends their tech-death roots with the classic symphonic black metal sound to craft Rubidium’s spiritual aura. The record’s haunting mood is immediately apparent on “Unworldly,” which opens with a sinister orchestral passage that quickly gives way to a vicious miasma of Marrow’s icy rasps, Lusk-Simone’s malevolent blasts and Tidwell’s eerie leads. The progression is reminiscent of early Cradle of Filth and gets the album off to a strong start. The performances on Rubidium are solid across the board, with Visitant skillfully blending technical precision with raw feel. The dynamic interplay between Tidwell’s guitar and Lusk-Simone’s drums create a stylish balance. The two frequently push and pull, creating a dialogue that feels synchronized but also spontaneous. Marrow—who has lent her vocal talents to video games like Doom Eternal and Senua’s Saga: Hellblade II—contributes her versatility, conjuring vengeful spirits through an expressive séance of rasps and hoarse growls (“Fodder,” “Starless”), Gojira-encrusted hymns (“Rubidium,” “Briars”) and ethereal croons (“Moon Bathe,” “Envy’s Lament”). It’s evident she has great range, but her sparse use of her striking cleans is disappointing and could have been a game-changer for the group’s sound.

Rather than relying on the guitar to take center stage, Lusk-Simone’s technical drumming drives Visitant’s eldritch sound with powerful, forward-moving energy. His precision blasts, acrobatic fills and progressive rhythms imbue Rubidium with an aural restlessness, balancing Tidwell’s Opethian chords (“Rubidium,” “Unworldly”) and moody refrains. This creative reversal of a common metal paradigm—where guitars are the heart and soul—allows Lusk-Simone’s performance to shine. Nowhere is this more apparent than in the strongest three-song stretch—from “Starless” to “Fodder”—which are defined by Tidwell’s unnerving, bending milieus and proficient shredding that underpin Lusk-Simone’s explosive kit work. Noteworthy highlights include Lusk-Simone’s hard-hitting fills coupled with rapid-fire double bass and swing beats in “Fodder” or the title track’s memorable and heavy syncopated bridge where Lusk-Simone and Tidwell lock together perfectly before settling back into their respective roles.

But odd production choices unexpectedly hold back Rubidium’s strength. Despite Tidwell’s memorable and astute riffs, and a high DR score, the production often buries the guitars too far back in the mix. Consequently, this makes Tidwell’s playing feel muted and strips his guitar of its authority. I had to almost max out the mid-range EQ on my headphones to really hear Tidwell’s guitar work on tracks like “Briars” and “Otherworldly”—a frustrating outcome that’s impossible to overlook. At just thirty-two minutes, Rubidium also feels short, a feeling amplified by its closing instrumental, “Moon Bathe.” While the interlude has promising ideas and an interesting exotic flair, it’s over too quickly and feels underdeveloped.

Rubidium left me with a sense of anticipation rather than satisfaction, feeling less like a complete body of work and more like an intriguing blueprint for what’s to come. Still, when Visitant’s talents align—as they do on the album’s strongest tracks—the result is an unsettling and convincing blend of technicality and raw emotion. There’s no shortage of quality performances, and Rubidium has all the ingredients for a gripping album. By further refining their approach and leaning into their more bespoke qualities, Visitant is poised to deliver an album that builds on the considerable promise of this debut.

Rating: Mixed
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Exitus Stratagem Records
Websites: visitant1.bandcamp.com | facebook.com/visitantband
Releases Worldwide: August 22nd, 2025

#25 #2025 #Abiotic #AmericanMetalMetal #Aug25 #BlackMetal #BlackenedDeathMetal #CradleOfFilth #DeathMetal #ExitusStratagemRecords #Gojira #Opeth #Review #Reviews #Rubidium #ScaleTheSummit #Unaligned #Visitant #Voraath

2023-05-19

Bing Chat (Creative) and I were talking about how the First Amendment to the US Constitution allows people to gather and speak about limiting people’s rights, including their right to life, liberty, and the pursuit of happiness, inclusive of the First Amendment itself.

When scholars wax poetic about the resilience of the American Experiment […]

https://www.zipbangwow.com/lies-damned-lies-and-statistical-intelligence/

2023-03-30

March Report from #EconomistIntelligenceUnit assessed net #support for #Russia had grown in yr since #invasion of #Ukraine as #Moscow ramps up its courtship of previously #neutral or #geopolitically #unaligned countries. Assessing countries’ enforcement of #sanctions, UN voting patterns, domestic political trends, official statements alongside econ, political, mil, historical ties, EIU determined that past yr saw increase in countries leaning toward Russia from 25 to 36.eiu.com/n/russias-pockets-of-s

2021-03-29

#letsroll

⚁ ⚅ ⚂ ⚄ ⚂→#faceted
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚃ ⚁ ⚀ ⚂ ⚁→#negative
⚁ ⚁ ⚀ ⚀ ⚂→#cycling
⚀ ⚄ ⚁ ⚁ ⚀→#caterer
⚁ ⚀ ⚀ ⚅ ⚃→#cosmic

faceted-unaligned-negative-cycling-caterer-cosmic

Roll your own @ eff.org/deeplinks/2016/07/new-

2021-03-22

#letsroll

⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚄ ⚂ ⚀ ⚂ ⚄→#saturday
⚄ ⚄ ⚃ ⚂ ⚂→#spiffy
⚀ ⚄ ⚄ ⚅ ⚀→#chrome
⚀ ⚅ ⚃ ⚄ ⚄→#conceal
⚃ ⚀ ⚄ ⚄ ⚁→#music

unaligned-saturday-spiffy-chrome-conceal-music

Roll your own @ eff.org/deeplinks/2016/07/new-

2021-03-03

#letsroll

⚃ ⚅ ⚅ ⚀ ⚂→#reconvene
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚄ ⚀ ⚀ ⚃ ⚃→#regally
⚁ ⚄ ⚅ ⚅ ⚄→#everyday
⚅ ⚀ ⚁ ⚅ ⚅→#superman
⚁ ⚀ ⚁ ⚄ ⚀→#crabmeat

reconvene-unaligned-regally-everyday-superman-crabmeat

Roll your own @ eff.org/deeplinks/2016/07/new-

2021-01-04

#letsroll

⚂ ⚁ ⚂ ⚁ ⚁→#glass
⚁ ⚄ ⚅ ⚀ ⚅→#essence
⚃ ⚅ ⚅ ⚃ ⚅→#reference
⚁ ⚂ ⚁ ⚃ ⚀→#dicing
⚄ ⚂ ⚅ ⚃ ⚃→#shallow
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned

glass-essence-reference-dicing-shallow-unaligned

Roll your own @ eff.org/deeplinks/2016/07/new-

2020-11-22

#letsroll

⚀ ⚁ ⚄ ⚁ ⚃→#audibly
⚁ ⚁ ⚁ ⚀ ⚀→#darn
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚃ ⚀ ⚃ ⚀ ⚅→#motivator
⚀ ⚁ ⚅ ⚄ ⚅→#backlit
⚀ ⚂ ⚅ ⚀ ⚃→#bonnet

audibly-darn-unaligned-motivator-backlit-bonnet

Roll your own @ eff.org/deeplinks/2016/07/new-

2020-09-04

#letsroll

⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚅ ⚃ ⚁ ⚀ ⚃→#unknowing
⚅ ⚃ ⚀ ⚄ ⚁→#uninsured
⚄ ⚁ ⚄ ⚄ ⚅→#said
⚂ ⚂ ⚅ ⚅ ⚄→#helpless
⚀ ⚄ ⚄ ⚂ ⚂→#chitchat

unaligned-unknowing-uninsured-said-helpless-chitchat

Roll your own @ eff.org/deeplinks/2016/07/new-

2020-08-21

#letsroll

⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚂ ⚁ ⚅ ⚂ ⚄→#greeting
⚂ ⚄ ⚃ ⚅ ⚅→#ladle
⚃ ⚀ ⚂ ⚀ ⚀→#monsieur
⚅ ⚄ ⚃ ⚂ ⚅→#vaseline
⚃ ⚀ ⚅ ⚀ ⚃→#mutilator

unaligned-greeting-ladle-monsieur-vaseline-mutilator

Roll your own @ eff.org/deeplinks/2016/07/new-

2020-08-19

#letsroll

⚄ ⚄ ⚃ ⚃ ⚃→#spinning
⚃ ⚂ ⚃ ⚄ ⚁→#panda
⚄ ⚀ ⚀ ⚄ ⚀→#region
⚄ ⚅ ⚀ ⚃ ⚃→#stallion
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚃ ⚂ ⚂ ⚁ ⚀→#overstay

spinning-panda-region-stallion-unaligned-overstay

Roll your own @ eff.org/deeplinks/2016/07/new-

2020-07-05

#letsroll

⚂ ⚁ ⚃ ⚅ ⚀→#gosling
⚄ ⚃ ⚃ ⚅ ⚂→#skating
⚄ ⚃ ⚅ ⚃ ⚀→#sleeve
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚄ ⚂ ⚂ ⚅ ⚂→#scruffy
⚄ ⚅ ⚄ ⚃ ⚅→#strive

gosling-skating-sleeve-unaligned-scruffy-strive

Roll your own @ eff.org/deeplinks/2016/07/new-

2020-02-26

#letsroll

⚃ ⚃ ⚃ ⚀ ⚁→#plant
⚄ ⚂ ⚁ ⚀ ⚂→#scandal
⚅ ⚂ ⚃ ⚅ ⚁→#underdone
⚁ ⚄ ⚂ ⚁ ⚁→#endocrine
⚀ ⚁ ⚂ ⚄ ⚂→#arrival
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned

plant-scandal-underdone-endocrine-arrival-unaligned

Roll your own @ eff.org/deeplinks/2016/07/new-

2020-02-14

#letsroll

⚀ ⚀ ⚃ ⚃ ⚄→#alongside
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚂ ⚄ ⚁ ⚂ ⚃→#judo
⚁ ⚀ ⚀ ⚁ ⚀→#cornball
⚂ ⚄ ⚁ ⚅ ⚄→#junkman
⚅ ⚃ ⚃ ⚀ ⚃→#unranked

alongside-unaligned-judo-cornball-junkman-unranked

Roll your own @ eff.org/deeplinks/2016/07/new-

2019-12-24

As if developing #KF on an old #Core2Duo laptop wasn't bad enough (over 30minutes to build, have to use -j1 due to insufficient RAMs), it crashes with #SIGILL #IllegalInstruction on #vmovups which seems to be an #AVX instruction (CPU is so old it does not support it).

Retrying the build with `-march=native`, but I recall submitting a #GCC patch to #Debian to replace #aligned moves with #unaligned ones, so maybe I broke it all by myself (the stack on #Windows is only 16byte aligned...).

Ref: bugs.debian.org/cgi-bin/bugrep

2019-11-04

#letsroll

⚄ ⚅ ⚀ ⚂ ⚄→#staining
⚀ ⚂ ⚄ ⚀ ⚃→#blunt
⚃ ⚁ ⚁ ⚃ ⚁→#numbness
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚁ ⚀ ⚅ ⚅ ⚄→#customs
⚂ ⚃ ⚂ ⚅ ⚄→#ignition

staining-blunt-numbness-unaligned-customs-ignition

Roll your own @ eff.org/deeplinks/2016/07/new-

2019-09-28

#letsroll

⚄ ⚅ ⚃ ⚂ ⚃→#stoplight
⚄ ⚂ ⚀ ⚀ ⚀→#sapling
⚅ ⚂ ⚁ ⚄ ⚃→#unaligned
⚂ ⚀ ⚀ ⚄ ⚂→#flatness
⚂ ⚀ ⚄ ⚁ ⚅→#frigidity
⚄ ⚃ ⚁ ⚀ ⚀→#shorten

stoplight-sapling-unaligned-flatness-frigidity-shorten

Roll your own @ eff.org/deeplinks/2016/07/new-

2019-09-08

Turns out is an upstream #GCC #bug that hasn't been fixed despite being reported in 2012. Windows 64bit #stack is aligned to 16 bytes only, and some part of GCC generates vector move instructions that require 32 bytes. Problem doesn't occur on Linux as stack can be re-aligned there, some Windows-specific stuff I don't understand means that that isn't possible there.

Currently rebuilding gcc-mingw-w64 Debian package with an #HorribleHack to replace all #aligned #vector #move to #unaligned vector move in the i386+mmx+sse machine descriptions.

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