Lmst

Dansende kinderen in rokken van bladeren, Ed van der Elsken, 1956 - 1957

#EdvanderElsken #second #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-24-111

The image depicts a group of children engaged in what appears to be a cultural or celebratory dance. Four young boys are wearing traditional skirts made from large, flat leaves, possibly banana leaves, wrapped around their waists and secured with ties at the back. They have bare chests and legs, suggesting warm weather conditions typical for tropical environments.

The boy on the far left is in motion, perhaps dancing, as indicated by his raised arms and bent knee. The second child from the right looks towards him, possibly following along or waiting to move next. All four boys are holding what appears to be a cup or container of some sort, which they might use during their dance.

Behind them stands an adult woman with her hands on hips, observing the children's activity. She has short hair and is dressed in casual clothing that doesn't stand out but suggests practicality for outdoor activities.

The background features trees providing shade and what could be huts or structures indicative of a rural settlement. The setting looks like it might be part of an open-air community space with ample sunlight illuminating the scene, casting sharp shadows on the ground.

This photograph evokes a sense of cultural expression among young individuals in their traditional attire, captured during daytime activities that may hold significant meaning within their culture or local customs.

Harvesting oats, Clayton, Indiana. July 1936

#Clayton #Indiana #first #second #America #Horse&Cart:FarmWork #DorotheaLanges #American #photography #DorotheaLange

The image depicts a historical scene of agricultural labor, captured in black and white. It shows two horse-drawn wagons loaded with hay bales on an expansive field. Each wagon is being pulled by one large brown draft horse. On top of the first wagon, there's a person crouched down, possibly arranging or stabilizing the load. The second individual stands atop the second wagon and appears to be doing similar work. Both individuals are wearing hats and casual clothing typical for manual labor in that era.

The field around them is covered with dry grasses, indicating it might have been recently harvested from this same area. There's a clear sky above without any visible clouds or birds, suggesting fair weather during the time of harvest. The overall scene conveys a sense of rural life and hard work associated with farming in America during that period.

The photo has text at the bottom left corner indicating "Horse & Cart: Farm Work," and it is marked as part of Dorothea Lange's collection, taken on July 15th, 1936. The image provides a glimpse into mid-20th-century American agriculture through the lens of one of America’s most significant photographers.

Additional information about this specific photograph can be found at https://images.loener.nl/DorotheaLange/full/6483/648327f2ba25398d907dd66e.jpg, where it is documented as part of Dorothea Lange's works.

Groepsportret van onbekende kinderen en baby's, Ed van der Elsken, 1956 - 1957

#EdvanderElsken #African #second #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-13-100

The image is a black and white photograph depicting a group of African children. The setting appears to be outdoors with some adults in the background, partially visible behind the children. In the foreground, there are six young boys and girls closely gathered together. One child on the far left holds another smaller child tenderly against her chest. Next to this pair stands an older boy who seems slightly detached from the group, holding a small object that looks like paper or a ticket in his hand.

The central figure is a girl cradling a sleeping baby wrapped in what appears to be cloth swaddling material; she gazes off into space with a contemplative expression. To her right stands another boy who holds an infant close against him, seemingly protecting the child from view but not holding it directly himself.

To his left, there's a smaller girl wearing a dress and looking down toward the ground or at something in front of her. Beside her is a young male with braided hair wrapped around his head, staring off into space with an intense gaze that carries a sense of quiet determination.

The second child from the right has short hair, wears minimal adornment except for what seems to be a small necklace, and looks directly at the camera as if aware he's being photographed. The final figure on the far-right is partially obscured; only his arm extending outward towards anoth [...]

National Gallery of Art. North entrance of National Gallery ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#NationalGallery #Horydczak #Theodor #North #first #second #DistrictofColumbia #Galleries&museums #UnitedStates #Washington(DC) #photography

https://www.loc.gov/item/2019681813/

The black and white photograph depicts the North entrance of a large, neoclassical building with prominent columns. The structure has multiple windows on both its first and second floors, creating an imposing facade. In front of this grand edifice are several vintage cars parked along what appears to be a wide street or parking area. Leafless trees can be seen in the foreground, suggesting that it might be either late fall or winter season. The overall atmosphere is quiet and still, with no visible people around, which gives an impression of calmness and solitude.

National Gallery of Art. Exhibit room in National Gallery II ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#NationalGalleryII #Horydczak #Theodor #second #DistrictofColumbia #Galleries&museums #UnitedStates #Washington(DC) #photography

https://www.loc.gov/item/2019681794/

The image depicts a classic-style interior room, likely within an art gallery or museum based on its design and context. Two framed portraits hang on the walls; one to the left side featuring what appears to be a historical figure in darker attire with white ruffled clothing around their neck, possibly from an earlier era such as the 17th century due to the fashion depicted.

The second portrait is smaller and situated near the right wall, portraying another individual. The room has wood-paneled walls and floors, suggesting a formal or prestigious setting often associated with classical art displays. Overhead molding adds to the stately ambiance of this space. A single door can be seen in the center of one side of the room.

There is no visible activity besides these static elements within the image; it captures an atmosphere rather than dynamic movement or interaction between subjects, which aligns well with a historical context likely during late 19th to early 20th centuries based on architectural style and monochrome photography.

MARINA DI PIETRASANTA - FIUMETTO - EDEN PARK

#European #second #Toscana #Lucca #Pietrasanta #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC025583

The image shows a historical black and white photograph of an old building labeled "Marina di Pietrasanta - Fiumetto - Eden Park." The architecture suggests European influence, with the structure featuring multiple levels, arched windows, balconies, and decorative ironwork on the second floor. A vintage automobile is parked in front of the building, indicating that this photo was taken during an earlier time period when automobiles were becoming more common but not yet ubiquitous.

The street appears quiet without much pedestrian activity or modern infrastructure. Trees are visible along one side of the road, suggesting some greenery around the area. The overall scene evokes a sense of nostalgia and gives insight into what urban landscapes might have looked like in an early 20th-century European town.

Recent posting from The Daily with Sarah Jones <politicususa@substack.com>

"It was never about the #Second #Amendment. It was always about who has the #guns.

"All of the hyperbolic #gun #rights claims have disappeared in an instant and the same crowd that demanded to be able to open carry to a town hall or parade now claim carrying a gun is a threat and marks one a domestic #terrorist."

Fetisj naast verbrande boom voor de god van het hemelvuur genaamd 'Yavorou', Ed van der Elsken, 1956 - 1957

#Yavorou #EdvanderElsken #second #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-24-5

The image displays a striking monochromatic photograph of an arid, barren landscape. A solitary street lamp stands in stark contrast to the leafless tree that dominates the foreground on its right side. The silhouette of the tree branches extends upwards and to the left, creating intricate patterns against the sky with sparse vegetation surrounding it. In the distance, a second bare tree is visible alongside what appears to be shrubs or low-lying bushes indicative of arid conditions. This scene suggests a desolate environment, evoking feelings of isolation or abandonment through its minimalist composition and lack of color which typically conveys vitality in nature scenes.

The Vacuum Exercise Rollercoaster: A Second Chance Review

The Vacuum Exercise Rollercoaster: A Second Chance Review
<p>Are you tired of the same old exercise routine? Look no further than the Vacuum Exercise Rollercoaster, a revolutionary new way to get in shape and transform your body. But is it really worth the hype? In this review, we'll take a closer l...

🔗 https://userreview.net/en/content/the-vacuum-exercise-rollercoaster-a-second-chance-reviews

#Vacuum Exercise Rollercoaster #Second Chance Review #Workout Routine

Bean thresher. Mechanized agriculture between Turlock and Merced, California

#Turlock #Merced #California #second #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017763209/

The image depicts a black-and-white photograph of two individuals operating large machinery in what appears to be an agricultural or industrial setting. The prominent figure is wearing protective gear, including goggles and overalls with rolled-up sleeves, suggesting they are engaged in labor-intensive work. This person stands on top of the machine holding onto metal rods for stability while their foot rests against a moving belt mechanism.

The second individual is slightly out of focus but appears to be working at another part of the machinery or observing from a distance. The equipment looks like an old-fashioned threshing machine, used in agriculture for separating grains from husks and stems during harvest time. It's mounted on wheels with large tires suitable for rough terrain commonly found in rural settings.

The sky is clear without any visible clouds, indicating it might be taken at midday or early afternoon when the sun would cast harsh shadows, which are apparent in this image. The machinery shows signs of wear and rust, suggesting that it has been used extensively over time.

There's a date "5-28/39" inscribed on the bottom right corner, possibly indicating when the photo was taken or its sequence number within a collection. In addition to the main equipment described above, there are smaller mechanical components visible around them like belts and pulleys th [...]

National Gallery of Art. Nativity in clay in National Gallery I ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 4 x 5 in.

#NationalGallery #Horydczak #Theodor #second #first #DistrictofColumbia #Galleries&museums #Sculpture #UnitedStates #Washington(DC) #photography

https://www.loc.gov/item/2019681453/

The image depicts a black and white sculpture of two figures, likely made from marble or another stone material. The standing figure appears to be an adult woman in mid-bow with her hands clasped together as if praying or grieving over the other figure lying on its back. This second figure is smaller than the first, suggesting it may represent a child.
The positioning and expressions of the figures convey deep emotion, possibly mourning or sorrow. The sculpture stands out prominently against what seems to be a plain background that highlights its form and details. Below this statue appears to be another inscription which reads "Nativity in clay" with additional information provided by Horydczak, dating it approximately between 1920-1950.
This image was sourced from the National Gallery of Art (NGA) as indicated on a label present at the bottom. The link for more details and an accompanying photograph is also given in this context - "Horydczak, Theodor, approximately

BTW...
where are all the '#Second #Amendment' people ? 😀
those who 'we must have weapons to protect ourselves from a #fascist #regime'
Well... now that there is a #dictatorial fascist regime... where are they ? 😄

If the believer in the 'Second Amendment' do NOT protect the #Nation the #Constitution the People from the Fascist regime...
NO more justification to keep the 'Second Amendment' in the future.

No wonder #Trump now says:

'You can't have guns,
you can't walk around with guns'

especially considering that
the #Second #Amendment
was NOT written for hunting
but was written to give citizens
the ability to defend themselves
from a dictatorship
... from a Trump.

West Stayton (vicinity) Marion County, Ore. Migratory bean pickers. A seasonal office is maintained by the state employment service

#WestStayton #MarionCounty #OreMigratory #second #Oregon #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2011645334/

This black and white photograph features a weathered wooden signpost in an open, rural landscape. The main sign is affixed to two vertical posts with horizontal beams at the top; it reads "OREGON STATE EMPLOYMENT SERVICE," followed by smaller text stating its affiliation with the United States Employment Service and that it's part of the Farm Placement Division. Below this prominent board is a second, more diminutive sign bearing the word "OREGONIAN." The scene around the post includes dry grasses on the ground, indicative of arid conditions or late summer/early fall season. In the background, there are hints of structures that may be part of farm buildings and scattered trees. This image is associated with West Stayton (vicinity) in Marion County, Oregon, during a period when it was notable for seasonal migration of bean pickers, reflecting on historical labor dynamics within agriculture in the region. The photograph captures both administrative oversight through employment services as well as an insight into rural economic activities and migratory work patterns from that era.

Trump Sparks Revolt With Jaw-Dropping Guns Claim

Social media users sounded off after President Donald Trump declared people “can’t have guns” in the wake of…
#NewsBeep #News #Topstories #DonaldTrump #guns #Headlines #ICE #second-amendment #TopStories
https://www.newsbeep.com/375044/

Hightstown, New Jersey. Factory and field, both to be run on cooperative basis by resettled families at Hightstown. The men are working in the potato field, one of the crops on the farm of four hundred and fourteen acres. Here they raised the second best crop in the three leading potato counties according to the New Jersey State Agricultural College

#Hightstown #NewJersey #second #WorldWarII #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017762930/

A black and white photograph showing a group of individuals working in an expansive potato field. The scene captures seven people, mostly dressed casually with hats or caps to shield from the sun, bending over as they cultivate or harvest crops.

In the background, there's a large structure resembling an agricultural facility or warehouse, along with scattered trees that suggest this could be located near the outskirts of a rural area. Above them is a partly cloudy sky indicating daytime work conditions. The presence of machinery and multiple individuals working together in unison suggests a labor-intensive task being performed.

The image appears to have historical significance as it reflects agricultural practices from an earlier period, possibly during World War II based on its style and contentment suggesting wartime efforts or resettlement programs like those mentioned for Hightstown, New Jersey.

情報の河。　Інформаційний потік
情報は海で有り、海は情報で有る。
Інформація – це море, а море – це інформація.

https://www.deviantart.com/poison-raika/art/Djouhou-no-Kawa-1253132329

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#ＡＩ生成 #some #fancy #answer #yourself #get #second #friend #school #report #daily #news #other #explain #word #possibility #malice #information #flow #rapid #pace #ourselve #crossroad #think #type #keyword #accept #optimal

情報の河。　Інформаційний потік
情報は海で有り、海は情報で有る。
Інформація – це море, а море – це інформація.

https://www.deviantart.com/poison-raika/art/Djouhou-no-Kawa-1253132329

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#ＡＩ生成 #some #fancy #answer #yourself #get #second #friend #school #report #daily #news #other #explain #word #possibility #malice #information #flow #rapid #pace #ourselve #crossroad #think #type #keyword #accept #optimal

Die Bahn mag einfach nicht das ich Tickets kaufe.

Gestern wurde die Kreditkarte abgelehnt, ohne ne hilfreiche Fehlermeldung. Hab dann widerwillig SEPA probiert, das brauchte dann ne extra Verifizierung(!?) die ich nicht möchte.
Heute dann nochmal probiert - Der Zug ist natürlich ein paar Euro teurer geworden.
Geht aber auch nicht wegen dieser schönen Fehlermeldung.

#frust #digitalFirst #bedenken #second

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Untitled photo, possibly related to: Living conditions for migrant potato pickers. Note potato sheds across the road. Siskiyou County, California. General caption number 63-1

#SiskiyouCounty #California #second #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017773341/

#second

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