Lmst

YouTube’s Appeal Decision Is In: My Inactive Manager Channel Stays Banned—And It’s Complete Bullshit

It's been less than five hours since I woke up to discover my YouTube channels had been terminated overnight, and I've already received YouTube's appeal decision. Spoiler alert: it's not good news. In fact, it's exactly the kind of generic, nonsensical response that proves YouTube's moderation system is running on autopilot with zero human oversight. Let me walk you through what happened today, because the timeline alone shows how broken this entire process is. The Timeline of This […]

https://jaimedavid.blog/2026/01/26/16/04/13/analysis/jaimedavid327/9438/youtubes-appeal-decision-is-in-my-inactive-manager-channel-stays-banned-and-its-complete-bullshit/

Why Albums Drop and Movies Launch

https://fed.brid.gy/r/https://www.newyorker.com/culture/infinite-scroll/why-albums-drop-and-movies-launch

Τα παρακάτω λόγια του Ματ Ντέιμον προκάλεσαν συζήτηση και κρύβουν εντός τους, μεγάλο μέρος της ουσίας για το πού οδεύουν τα πράγματα στη βιομηχανία του θεάματος στον καιρό του streaming

#Netflix #StreamingPlatforms

«Η στάνταρ μέθοδος με την οποία μάθαμε να κάνουμε ταινίες δράσης, σε γενικές γραμμές συνίστατο στο να έχουμε τρεις σκηνές-κλειδιά. Μία στην πρώτη πράξη, μία στη δεύτερη και μία στην τρίτη. Το μεγαλύτερο μέρος του μπάτζετ πήγαινε στην τρίτη, λογικό, αυτή είναι η κορύφωση. Και τώρα το Netflix έρχεται και σου λέει: “Μπορούμε να έχουμε μια πολύ μεγάλη σκηνή στα 5 πρώτα λεπτά; Θέλουμε ο κόσμος να μείνει στην οθόνη του. Και δεν θα ήταν κακό αν επαναλαμβάνετε την πλοκή τρεις ή τέσσερις φορές στον διάλογο, επειδή οι θεατές είναι κολλημένοι στα κινητά τους ενώ παρακολουθούν την ταινία. Αυτό αρχίζει και επηρεάζει τον τρόπο που αφηγούμαστε τις ιστορίες. Αν έχετε την εντύπωση πως οι διάλογοι έχουν μια αίσθηση déjà vu, τώρα ξέρετε το γιατί».

The Absurd Wall Around Picture‑in‑Picture for Music on YouTube

There is something uniquely frustrating about running headfirst into a limitation that feels completely artificial. Not a technical constraint. Not a hardware shortcoming. Not even a genuine legal impossibility. Just a wall, quietly erected, that exists because someone decided it should. YouTube’s refusal to allow music content to run in Picture‑in‑Picture mode on iPhone and iPad is one of those walls. It stands there, immovable, while everything around it suggests that it should not […]

https://jaimedavid.blog/2026/01/17/00/01/40/analysis/jaimedavid327/9061/the-absurd-wall-around-picture-in-picture-for-music-on-youtube/

“Wake Up Dead Man” and the Whodunnit Renaissance

https://fed.brid.gy/r/https://www.newyorker.com/podcast/critics-at-large/wake-up-dead-man-and-the-whodunnit-renaissance

Well, well. The potential invasion ... er ... aquisition of the Warner Brothers movie studio by NetFix is getting a few people waxing lyrical about the demise of mainstream cinema. With comparisons to the disappearance of the VHS rental store. But I'm going to go out on a limb and predict that, as with Oscar Wilde, the death of the cinema has been greatly exaggerated.

(1/?)

#movies #cinema #StreamingPlatforms

Ready for real-time? Tell us what an enterprise running on events looks like to you. #EventDrivenArchitecture #RealTimeEnterprise #BusinessAgility #StreamingPlatforms #EnterpriseTransformation
https://medium.com/@sanjay.mohindroo66/real-time-reinvention-how-event-driven-architecture-builds-tomorrows-enterprise-7f2e8213e19e

Sunday #DailyTracks : Needless to say tagging of #AI music tracks will not likely be the helpful thing you want it to be anytime soon. #StreamingPlatforms have inherent motivation to see these tracks take spool like hungry #Marlin ‘ as most of the profit is self generating feedback at zero cost. You can spend a lot of time filtering the crap out or wait for more general solutions. Ideally you know what music made by real humans sounds like and keep that fire burning

Bài viết phân tích các nền tảng streaming giống như các doanh nghiệp SaaS ẩn danh. Chúng đối mặt với các vấn đề tương tự như độ ổn định, khả năng mở rộng và duy trì người dùng. Tác giả đề xuất các nền tảng streaming nên học hỏi từ hạ tầng SaaS (API module, multi-tenant, phân tích dữ liệu) để cải thiện độ tin cậy, khả năng mở rộng và minh bạch.

#Streaming #SaaS #CôngNghệ #PhátTrựcTiếp #CơSởHạTầng #StreamingPlatforms #SaaSArchitecture #Tech #Infrastructure #SoftwareDevelopment

https://www.reddit

https://youtube.com/shorts/H6hqfKKhERA?si=0gJSQ5Vw1QRm5bTM

Waka Flocka’s $3.76M Music Token Takeover!

Linktr.ee/562AlexD

#WakaFlocka
#BaseDrop
#Solana
#BaseBlockchain
#OrganicDistro
#MusicTokens
#Web3Music
#CryptoMusic
#FLOCKA
#Coinbase
#StreamingPlatforms
#ArtistRevenue
#MusicInnovation
#CreatorEconomy
#WakaFlockaFlame

Top takeaways from the 2025 Forbes Under 30 Summit - Grayson Newbourn

Africa: How Creators Pivoted to YouTube And What It Means for African Film and TV: [InfoWire] Over the years, African film and television have undergone a significant trend: filmmakers are shifting away from conventional distribution avenues and streaming platforms. They are increasingly embracing YouTube as a primary distribution channel. As streaming platforms reduce their investments in… http://newsfeed.facilit8.network/TNTH9v #AfricanFilm #YouTubeCreators #FilmIndustry #StreamingPlatforms #AfricanCinema

European broadcasters face mounting streaming competition: BCG survey shows streaming platforms reach 97% of European viewers, claiming 64% of viewing time as broadcasters struggle with eroding market share. https://ppc.land/european-broadcasters-face-mounting-streaming-competition/ #Streaming #Broadcasting #MediaCompetition #EuropeanMedia #StreamingPlatforms

Hispanic consumers drive streaming dominance with 55.8% share: Nielsen reveals Hispanic viewers command 55.8% of TV time through streaming platforms, outpacing general U.S. population by nearly 10 percentage points amid digital advertising gap. https://ppc.land/hispanic-consumers-drive-streaming-dominance-with-55-8-share/ #HispanicConsumers #StreamingDominance #NielsenReport #DigitalAdvertising #StreamingPlatforms

@SmartFox @randahl
Yeah. Nobody can create for free. Bills have to be paid. Even if all those greedy middlemencompanies tell the audience otherwise. #streamingplatforms
I really wonder were all those little promotioncompanies are, like in musicbiz. Or what happened to artistunions(?)
It's obvious that creators/artists need a monetizing platformbiz of their own. At least independent from US based places.

The lack of range of certain vids might have to do with their potential of their content?