#Postmodernism

Mark HarbingerMark_Harbinger
2026-02-12

Anything that gets in the way of clear communications...is f*ck!ng stupid.

But don't take my word for it, just ask "them".


2026-02-02

Vintage Baudrillard in Middle English ! #theory #postmodernism #HigherEd

Assoc for Scottish Literaturescotlit@mastodon.scot
2026-01-26

“Illuminated by lightning flashes of descriptive brilliance, Brown’s prose evokes melodrama, Greek tragedy and postmodern alienation…”

You can download a free ebook edition of THE HOUSE WITH THE GREEN SHUTTERS from @gutenberg_org

7/7

gutenberg.org/ebooks/25876

#Scottish #literature #20thcentury #modernism #postmodernism

Assoc for Scottish Literaturescotlit@mastodon.scot
2026-01-26

The House with the Green Shutters

Shown on BBC2 in 1989 as part of the “Edinburgh Nights” Edinburgh festival series by Communicado Theatre, the company’s first touring show

Act Two

6/7

youtube.com/watch?v=eQSHGdWAb_U

#Scottish #literature #20thcentury #modernism #postmodernism #drama #theatre

Assoc for Scottish Literaturescotlit@mastodon.scot
2026-01-26

The House with the Green Shutters

Shown on BBC2 in 1989 as part of the “Edinburgh Nights” Edinburgh festival series by Communicado Theatre, the company’s first touring show

Act One

5/7

youtube.com/watch?v=Tfo2R1RGt9g

#Scottish #literature #20thcentury #modernism #postmodernism #drama #theatre

Assoc for Scottish Literaturescotlit@mastodon.scot
2026-01-26

“Perhaps because Scotland is placed geographically and linguistically at the periphery of the United Kingdom by an Anglo-centric vision, Scottish writers often write from and about particular places”

‘Location and dis-location in George Douglas Brown’s The House with the Green Shutters”
Benjamine Toussaint, Études anglaises 70/4, 2017

@litstudies

4/7

shs.cairn.info/article/E_ETAN_

#Scottish #literature #20thcentury #modernism #postmodernism

Location and dis-location in George Douglas Brown’s The House with the Green Shutters
By Benjamine Toussaint

Perhaps because Scotland is placed geographically and linguistically at the periphery of the United Kingdom by an Anglo-centric vision, Scottish writers often write from and about particular places. This paper focuses on the way the notions of place and space structure George Douglas Brown’s The House with the Green Shutters (1901). First the role of place in defining the identities of individuals is analysed, because “place and self are thoroughly enmeshed” (Casey 2001a, 684). The paper then focuses on the maps of power and spatial dynamics that shape the geography of the novel. This reveals the complexity of a work that simultaneously endorses and deconstructs a polarized vision of space in terms of centre and periphery. Finally, topographical metaphors appear as a means to unite the local and the universal when the main character’s hubris and downfall are expressed through images of verticality that also characterize the local landscape.
Assoc for Scottish Literaturescotlit@mastodon.scot
2026-01-26

“To pick up a pen is to place oneself outside the community… it is not really possible to write about community and remain uncompromised”

—read Dorothy McMillan’s essay “Rural Realism”, on George Douglas Brown’s THE HOUSE WITH THE GREEN SHUTTERS

3/7

thebottleimp.org.uk/2022/05/ru

#Scottish #literature #20thcentury #modernism #postmodernism

Assoc for Scottish Literaturescotlit@mastodon.scot
2026-01-26

“I remember the first novel in English I read through was a Scottish novel called THE HOUSE WITH THE GREEN SHUTTERS. […] When I read that, I wanted to be Scotch.”

—Jorge Luis Borges, interviewed by The Paris Review in July 1966

2/7

theparisreview.org/interviews/

#Scottish #literature #20thcentury #modernism #postmodernism #Borges #JorgeLuisBorges

Assoc for Scottish Literaturescotlit@mastodon.scot
2026-01-26

George Douglas Brown (1869–1902) was born #OTD, 26 January – best known for his 1901 novel THE HOUSE WITH THE GREEN SHUTTERS:

“…the TRAINSPOTTING of its day… an angry young man’s response to the misrepresentation of contemporary Scottish life”

A 🎂 🧵

1/7

list.co.uk/news/39535/george-d

#Scottish #literature #20thcentury #modernism #postmodernism

Book cover

THE HOUSE WITH THE GREEN SHUTTERS

Cover image: A small window in a pale cream-coloured wall, with green shutters. One is half open, but we can only see darkness inside. In the foreground, a red-headed postman in a blue uniform, his eyes and mouth wide open in shock and horror, whirls away from the window, his body twisting as he turns and flees from what he has seen within.
2026-01-24

Donald Trump is almost perfectly defined by the very thing his cult proclaimed was a ”dangerous left-wing radical ideology”.

But the ironic detachment as described by the aesthetic & social theories of #postmodernism, has not been expressed more thoroughly by any other #dictator, like it has been by Donald Trump.

His fumbling, incompetence & foolishness are the expressions of ironic detachment which his audience find familiar, soothing, edgy and contemporary.

loops.video/v/dqPDT7GN9G

#OMN (Open Media Network)info@hamishcampbell.com
2026-01-21

The rise of #stupidindividualism as a common sense path

Part of the shitty mess we’re in comes from the failure of #DIY culture and the rise of #stupidindividualism as the common sense path. #stupidindividualism is completely unscalable in social terms. It fragments, isolates, and exhausts. That isn’t accidental, it’s a classic divide-and-control strategy of the #deathcult. And we need to consciously step away, and away, and far away from this. An example, over the last 20 years, I’ve answered the same questions individually, over and […]

hamishcampbell.com/the-rise-of

🇨🇦🇨🇦🇨🇦 leastactionalfredo@indieweb.social
2025-12-28
Microglyphicsmicroglyphics
2025-12-26

Morality isn’t a cosmic scoreboard. It’s social signalling with badges of power stitched in.
👉 philosophics.blog/2025/12/26/g
In this post, I dismantle the cosy story that ‘good’ and ‘bad’ map onto metaphysical truths, and show how authority collapses complexity into a verdict and calls it reality.

Man considering choices, good and bad
#OMN (Open Media Network)info@hamishcampbell.com
2025-12-18

Social value, personal value, and the chicken-and-egg problem

We still haven’t solved this. Looking back at a conversation from six years ago, what stands out isn’t disagreement - it’s how hard it is to even name the problem we keep circling. Over the last 20 years, again and again, the discussion slips into the same dead end: personal value versus social value, framed through the language of #dotcons platforms, followers, influence, and business growth. What we need to learn from this is the confusion isn’t accidental, it is structural. What […]

hamishcampbell.com/social-valu

2025-12-12

The Galleria at Erieview, shot on defective #Polaroid 600 using a OneStep found in the office supply cabinet. (My 680 is out for repair.)

There are two cartridges of bad left, I’ll get three fresh packs to shoot at #MotorCityFurryCon in February.

#photography #Cleveland #postmodernism

A discolored instant photo of the west end of the Galleria at Erieview in downtown Cleveland, OH on a cloudy December day. It looks kind of bleak.
Microglyphicsmicroglyphics
2025-11-29

New essay: The Rhetoric of Evil, a deflationary account of how the word 'evil' persists long after the metaphysics that birthed it evaporated.

Through the MEOW framework I track how entities conspire to reify a term that explains nothing yet structures everything.

🐉 philosophics.blog/2025/11/29/a

map-dragon
Microglyphicsmicroglyphics
2025-11-25

I’ve been up all night building something I probably should have left to saner versions of myself: a custom GPT that actually internalises my Mediated Encounter Ontology (MEOW) and my forthcoming Language Insufficiency Hypothesis (LIH).

philosophics.blog/2025/11/25/a

GPT screen for the Mediated Encounter Ontology.

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Server: https://mastodon.social
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