#EdGlorious

2025-12-31

Top 25 Albums of 2025

2025 honestly was one of the hardest years of my life ever. However, musically I think this is the best year of the 2020s so far. There were a lot of incredible releases. There were also some disappointments and ass releases, but I didn’t hear as many of those as I usually do I think. Be sure to check out the EP list that I published a couple days ago if you haven’t yet. Before I get into the full LP list I just wanna mention a few releases that didn’t make it.

Jay Electronica’s Leaflets project should’ve been here, but the release of that album was kind of a disaster. I guess that’s to be expected of Jay Elec at this point though. There were only five songs that featured rapping on it to begin with, and now two of them are completely unavailable on DSPs. It was already the length of an EP in the first place, but now it’s even shorter. The two songs that got removed were really fucking good too, so that’s very disappointing. A more fitting word to describe the situation than “disappointing” would be “embarrassing” though. Jay Electronica is one of my favorite rappers of all time, but he’s getting harder and harder to defend each year. I want for him to get his shit together and release a proper full-length solo album with minimal features. I personally don’t mind the voice clips and movie samples since that’s always been a key component to his artistry, but maybe tone it down just a little bit. I think he went a little overboard with it on the three projects he released this year.

Benjamin Booker’s Lower album is my favorite non-rap album of 2025. It was one of the first projects I listened to and wrote about after I was discharged from the hospital this year. Shoutout to my homie Noah for putting me onto that one. The only other project I wanna mention before we get into the official list is brainorchestra.’s Jet Force Orchestra album, which is my favorite instrumental LP of the year. It’s actually one of my favorite projects I’ve ever heard from brain, and I kinda wish I had written about it when it dropped. Hopefully the wax doesn’t sell out before I get a chance to cop it. Anyway, let’s go ahead and get into the official list. As always, it should go without saying that these are definitely not the only albums that are worth your time from 2025. There are plenty of really dope projects that didn’t make it onto this list, so be sure to check out other people’s year-end content, such as FREEMUSICEMPIRE, Cinemasai, Eric the Young Gawd, Dead End Hip Hop, The Rap Music Plug Podcast, etc. There’s a ton of stuff out there for everyone.

25. GOLLIWOG by billy woods

This is probably the most popular album on this list. Other entries come close, but it seems like this is the album that got the most attention. I wouldn’t be surprised if I got hate comments for putting it so low on this list. I do love this album though. It’s not my favorite woods album, but it has several of the best songs he’s ever made. Tracks like Waterproof Mascara & Maquiladoras are absolutely stunning to me. Pretty much every verse from woods has at least one god-tier quotable too. The main reason this isn’t higher on my list is that there are a couple features from artists I’m not into at all. There are also some really awesome guests here too though. Despot has one of the best features of the year on Corinthians. The production is elite too. This is an incredibly dark, oftentimes haunting record, which I really dig. I mean, I guess that was to be expected just based on the title and cover art. My favorite song is the closer, but I think I listen to Maquiladoras the most. That beat is incredible. That’s like a top 5 instrumental of 2025 for me. I love it. The album’s dope as hell.

24. Contacting by Sunmundi & Sasco

🔗 Read my review

Sunmundi is one of my favorite artists of the 2020s, and Sasco is a really amazing producer as well. His album, The Hottest Year on Record, was one of my favorite albums of 2024; my favorite track was the closing song, Cave Painting, which featured a GLORIOUS verse from Sunmundi along with Big Flowers & Nakama. When Sasco told me he was working on this full album with Sunmundi I was pretty ecstatic. Thankfully, it ended up being just as fantastic as I had imagined. Some of the instrumentals here are just straight up astonishing. I hear a beat like Bright Moments and wonder how the hell he made something like that. Sunmundi absolutely tears everything down as well. I’ve never heard a verse from him that I wasn’t super impressed by. He’s easily one of the best rappers under 30 in my opinion. Every feature here is crazy too. Defcee spits one of the best guest verses of the year on Dawn of Time. I also really loved my homie Hester Valentine’s performance on Spirit Ballistics. This album features some of the most impressive, dynamic production you will hear from 2025. Definitely check this one out if you haven’t yet. If you dig it, be sure to go back and check out The Hottest Year on Record & Lived and Born.

23. Nemesis by Araless

Ruben a.k.a. Check the Rhyme recently asked Twitter what the most underrated album of 2025 was, and this album was my answer. I first listened to Araless earlier this year when he dropped the self titled Toxic Crusaders album with Hash Adams. That project released on We Are the Karma Kids, so that’s how it landed on my radar. That was a pretty lighthearted, fun project, so I was a little caught off guard by the vibe on this solo release. This is another very serious, dark album focusing on the subject of a genetic illness that has plagued Araless’ family, taking the life of both his mother and sister. The nemesis in question is Huntington’s disease, which is an ailment with which I was previously unfamiliar. After doing some light research, I was kind of dismayed by how brutal it is. As you can imagine, the lyrical content of this project is super heavy and personal. Araless’ writing really tugs at my heartstrings. One thing I didn’t know from the Toxic Crusaders album is that he’s also a very competent singer in addition to being a skilled MC. He also fully self-produced, mixed, and mastered this record. The dude’s hella talented. Since this is such an expansive & ambitious record, I wouldn’t be surprised if it takes a year or two for him to put out another project. I hope in the meantime we can get a physical release of this project because as far as I can tell it’s strictly digital at the moment. Like I said, this is arguably the most slept on album of the year, so check it out. You might love it as much as I did.

22. Seeker of Knowledge by Chow

🔗 Read my review

This is another super slept on album. It’s one of the few projects I wrote a full track-by-track review for in 2025, and it’s one I go back to quite a bit. Chow’s another one of my favorite artists that I’ve started listening to in the past couple years, and this is his best work so far in my opinion. The production from himself, shemar, and dj nOOnsomewhere is excellent. As far as lo-fi Hip Hop goes, it doesn’t get much better than this. I feel like I wrote that exact same sentence in my review. I think this album would sound perfect on cassette. As of now it’s only available digitally and on CD. I plan on copping the CD + T-shirt bundle as soon as I get my bread up. Anyway, Chow has a pretty awesome production style, and the way he raps over his own beats always sounds cool as hell. The lo-fi sound can make it difficult to understand what’s being said at times, but I don’t even really mind that much because it sounds intentional. I think it works to the album’s benefit if anything. Again, this is another one of the most slept on projects of the year in my opinion. Check it out.

21. Psychological Cheat Sheet 6 by Vic Spencer & August Fanon

I believe it was a couple years ago that I saw Vic Spencer tweet an explanation of the concept behind his PCS series with August Fanon. It was kind of a while ago, so my memory’s a bit fuzzy, but I’m pretty sure he said that he spent 14 days in a group home years ago. This series is based on that experience, and he plans on releasing an album for every day he was there. I wasn’t sure that he’d follow through with doing an album for every single day, but we’re almost halfway through already, so I’d say it’s pretty likely that he completes the task. We’ve been getting an entry per year since it started, so I guess 8 years from now it’ll be concluded. I’m looking forward to buying the full vinyl boxset when that day comes despite already having the fifth one on wax. I already know that shit’s gonna be expensive as fuck, but it’ll be so cool to own. I really fuck with Vic Spencer, man. The story he’s been telling with this series has been fascinating to me. I think it resonates with me in particular because I’ve been institutionalized for mental illness five times in the past 8 years, so it’s cool to hear such a dope rapper cover that kinda subject matter. These are Vic’s best albums too. This is my favorite thing that he does. It’s a treat every year when he drops these, and this latest one is one of the best so far. August Fanon is my favorite producer, and tracks like The Group Home Anthem or Store Pass are great examples of why. This album just dropped less than a full week ago, so I could see it growing on me even more in the future. It’s dope as hell.

20. Jestures by Atmosphere

This was one of the most pleasant surprises of the year for me. I actually think this is one of the best Atmosphere albums ever. This is the most I’ve enjoyed a project from them in about 20 years. Slug sounds hungrier than he’s been in a long time on this record. Ant also had a really awesome year musically. Between this project, Brother Ali’s Satisfied Soul, and his placement on GOLLIWOG, he went pretty hard in 2025. This year he put out the best beats I’ve heard from him since 2018’s Bad Actress by deM atlaS. As a hardcore Atmosphere fan, I had a big ass smile on my face as I listened to this project. This shit made me so happy. Hopefully this is the beginning of a late-career resurgence/revitalization. If they manage to follow this up with another project that’s similar in quality, I will be elated. If you’re a Rhymesayers junkie and you haven’t peeped this yet, you’re seriously missing out. I love this shit.

19. Hostile Engineering by Lt. Headtrip & Steel Tipped Dove

This was a really exciting collaboration for me. Steel Tipped Dove’s production on this record isn’t as abrasive and harsh as something like Tap on the Glass or even EMBLEMS, but it’s still as off-kilter and experimental. As always, Lt. Headtrip’s lyricism had me hooked. The opening line is “I felt the urge to pray today” and I knew I would love this as soon as I heard him say that. There’s a lot of quotable writing; Headtrip is one of those MCs who has my full attention with every word he says. There’s never any filler bars. His flow is super intricate and unique, and Dove’s dynamic production matches it perfectly. There are a lot of albums on this list that I wish I wrote about, and this is definitely one of them. I love how there are zero features on this project. Headtrip takes center stage and completely nails it with every verse. My favorite song at first was Eatin’ Every Breadcrumb, but it changes damn near every time I play the album. The beat on Fun Don’t Stop is crazy. I actually think this is one of the most accessible full-length LPs Lt. Headtrip has made in a long time. It’s super dope. Give it a listen if you haven’t yet. I’m planning on copping the record soon.

18. Run Toward the Monster by Ty Farris & Apollo Brown

Ty Farris is one of those MCs who I’m always super excited to check out no matter who he’s working with. I think he’s absolutely one of the best rappers alive. Him & Apollo Brown are a pair that I knew would be fire before I even listened. It just seems like a no-brainer. They’re two of the best Detroit artists in their respective fields. Earlier in the year, Ty Farris had one of my favorite features on a WateRR song called Days of Youth. Man was rapping about spreading the ashes of his deceased mother in a river. My jaw dropped when I heard that shit, and it made me even more excited to peep this album. This is my favorite Apollo Brown album I’ve ever heard. Ty Farris just works perfectly over these beats. My favorite song is the incredibly personal Beautiful Struggle. I feel like he was able to channel the serious tone of the aforementioned WateRR song. I’m kinda bummed that I got to this album late because all the vinyl is sold out already. I’d love to have a physical copy, so hopefully there’s a repress at some point.

17. BLOCK HEAVY GANGSTA EDITION by Bloodblixing

🔗 Read my review

This is Bloodblixing’s best album. It has the best set of features, production, and verses from Blix himself. Shit, even just the cover is the best artwork Bloodblixing has used. It’s my favorite cover art of 2025, so shoutout to Chop the Head for that. I also think this album is miraculously the best mixed project I’ve heard from him. Blix is kinda infamous for having super rough mixing in all his music, but that wasn’t an issue for me with this one. I didn’t even think about it. There are some truly incredible instrumentals on this project such as SCHADENFREUDE or TRICK BOX, and none of the features feel like they were phoning it in. A few of the best features of the year appear on this project, such as Teller Bank$ or Deleteeglitch. This is Bloodblixing’s magnum opus as of now, and I am very curious to see how he tries to surpass it in the future. It’s dope as hell. Check it out if you haven’t yet.

16. Grateful Dread by AJ Suede

This is another one of the most slept on albums on this list in my opinion. For whatever reason I didn’t see much discussion around this project, which I find quite strange because I think it’s one of the best releases I’ve ever heard from AJ Suede. There’s a different producer on each track, so we get a very diverse soundscape as a result. Suede killed every single beat here too. As I said in the EP list, I feel like Suede was rapping better than ever this year from a technical standpoint. There’s a crazy posse cut with Teller Bank$ & Sleep Sinatra here. At this point, one of my rap fantasies is them forming a supergroup because every time they got on a track together the result is sizzling hot fire. Suede dropped three albums this year if I’m not mistaken, and all of them were pretty tight, but this is easily my favorite. I love these beats, and Suede’s flow sounds so good. I can’t wait to see what he does in 2026 ’cause he killed it this year. This album’s dope as fuck.

15. Sortilège by Gabe ‘Nandez & Preservation

This is another one of the more popular albums on this list. This album was very critically acclaimed, and for good reason. Preservation’s one of my favorite producers ever, and Gabe ‘Nandez is a pretty amazing MC. This is the best album he’s ever made. I started listening to him after he was featured on Aethiopes, and it was always clear to me that he was super talented. However, this album in particular is the best selection of instrumentals he’s ever rapped over. It’s definitely his most well-rounded and cohesive record. I’ve come to realize that rappers with kind of monotone voices tend to be my favorites, so Gabe is right up my alley. I’m gonna order the cassette when I can because I need to have this in my collection. There are some crazy flows and amazing beats here. If you haven’t heard this album yet, you’re seriously fuckin’ up.

14. POCKET JAMS 2 DELUXE by Ilajide

I recently posted a tweet in which I mentioned Ilajide as one of the most underrated MCs I can think of. Every time I hear his music I wonder how he’s not internationally famous. This album—particularly the deluxe version—is the best solo project he’s ever put out. Nobody makes funk rap better than this dude. This is definitely the most danceable album on the list. This is just a really fun, feel good album that will make you wanna move. He previewed some songs from it at the end of 2024, including my favorite track, COUNT YO DAYS. I’d been thinking about that song ever since I first heard it, so I was delighted when it finally came out on the deluxe version of this project in September. That beat is so incredible. Ilajide’s flows are super intricate and fast paced, and his production is excellent. This LP is pure fun. I don’t think it’s been released physically yet, but I’m definitely gonna buy it if it ever is. Ilajide is super slept on, but people seem to be waking up slowly but surely. He recently got a cosign from the legendary DJ Quik. I need that collab asap. Anyway, give this a listen if you like funky production and bouncy flows. It’s fire.

13. DRUG$$$ by Teller Bank$

Teller Bank$ is one of my favorite rappers of all time, and this is one of the best projects he’s ever put out. The production from q no rap name, Killer Kane, Philth Spector, and ayashi[!] is very melodic and moody. From what I understand, they all worked on these beats together in person, resulting in one of the best produced albums of the year. There is some incredible rapping on this project too. The vocal deliveries on songs like 2-CHAIN$ & Look Ma, I’m billy woods!! are really captivating. The lyrical content is hard as fuck, and Teller’s flow is stellar. All the songs are pretty straightforward structurally; we don’t really get a lot of memorable hooks or anything like that. This album is for people that wanna hear one of the best rappers alive rip fire verses over amazing beats. If you’ve ever enjoyed Teller in the past, this is a must-listen album. I mean, it’s a must-listen for everybody, but if you’re a fan and you haven’t heard it yet you’re seriously fuckin’ up.

12. Roc Marciano Presents: MULBERRY SILK ROAD by Errol Holden

https://soundcloud.com/errolholden/sets/roc-marciano-presents-1?si=674f38c7da454cb0b86633013615d987&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

This album really came outta nowhere for me. I didn’t even know about it until I saw Sleep Sinatra say that he’d been listening to it a lot. I don’t know much about Errol Holden, but as you can see he earned a cosign from the legendary Roc Marciano. I had no expectations before listening to it, but I ended up being pretty blown away. The dude is an incredible MC. The flows here are stunning. The closest thing I can compare it to would be $ILKMONEY, but it’s not totally the same. I guess he also sounds kinda like Vega7 the Ronin. At first I thought this project was fully produced by Roc Marci, but he apparently only did the beat for dip dip diver. I’m not sure who did all the other beats. The instrumentals are really dope though. With that said, Errol Holden himself is the star of the show here. He’s rapping at an incredibly high level throughout this entire record. There are some really out of pocket lines. There’s one track where he raps about peeing on someone. Shit is crazy. The album’s amazing.

11. A River Dies of Thirst by Snotnoze Saleem

This is definitely the most experimental album on this list. Snotnoze Saleem has been on my radar since 2022. I first knew him as an associate of SHADI, and at a certain point it seemed like he was going for a similar style. The first few projects I heard from him had some really cool ideas, but they didn’t quite hit for me. However, I guess they were considered mixtapes, and they kinda felt like demos. I knew he was onto something when I heard him use the term “immaculate ejaculate.” This project here is his debut album, and he knocked it outta the park in my opinion. It’s fully self produced if I’m not mistaken, and the beats are insane. Saleem’s rapping here is pretty fucking crazy too. The flows are wild, and the lyrics can be quite beautiful at times. Track 3 is honestly one of the most wild songs I’ve ever heard. This is an incredibly adventurous record sonically. This is unlike anything else that dropped in 2025. I had a feeling I would really dig this album based on the title and cover art, but it exceeded any and all expectations. I think it’s amazing.

10. Pale Black Negative by Rhys Langston

Rhys Langston is another artist I’ve known of for a few years at this point, but none of his projects have connected with me the way this one did. This album is pretty incredible. It’s fully self produced, and the instrumentals here are beautiful. Rhys’ performance over them had me hooked too. There are even features from artists of whom I’ve struggled to enjoy in the past that ended up actually being dope as fuck on this album in particular. I feel like this is a real lighting-in-a-bottle release. It sounds very high budget and polished. Rhys Langston’s poetry and almost spoken-wordesque flow sound amazing over these lush instrumentals. I think the production on past releases has been what’s prevented me from getting into the music, but the sound of this album in particular is pretty beautiful. It meshes with Rhys’ rap style perfectly. This is another one of the most slept on albums of the year in my opinion. This shit should be on everyone’s list frankly. It’s a genuinely amazing record. I can’t wait ’til my vinyl arrives. Stop sleeping on it.

9. Mercy by Armand Hammer & The Alchemist

This is my favorite Armand Hammer album now. I’ve always been a Shrines truther, but this one is on another level. The Alchemist had a pretty crazy year between this and Alfredo 2. People keep talking about how he’s overrated or he fell off… Nah, man. No. He’s still absolutely one of the best producers alive. I guess people wanna discredit him due to his bizarre refusal to publicly condemn Israel. My thing is, why do we need Alchemist of all people to do that? It’s not gonna affect anything. I mean, it’d be nice to know he’s on the right side of history, but at the end of the day I don’t give a shit about Alchemist’s stance on something like that. Whether or not he says free Palestine isn’t gonna affect how I feel about what’s going on, but I digress. These beats are fucking incredible. I had to tweet about it when I heard the instrumental on Crisis Phone.

https://twitter.com/focusOGNICK/status/1993798405014081782?s=20

Of course woods & Elucid themselves slaughter every single verse here, and the features from guys like Quelle Chris & Earl Sweatshirt are glorious. This is another one of the more popular albums on this list, and I’d say it’s definitely worthy of the fame and praise. It’s dope as fuck.

8. Much Given, Much Tested by BlackLiq & Dub Sonata

🔗 Read my review

This was another one of the bigger surprises of the year for me. I’ve always liked BlackLiq’s music, but this project in particular really resonated with me in a different way. I adored Dub Sonata’s production in combination with BlackLiq’s super personal & introspective lyricism. There are some fire flows and features here too. This was one of the few albums that moved me enough to do a write-up, and I think it ended up being one of the best things I wrote this year. I’m really glad I was able to get a vinyl copy because it was nearly sold out by the time I finally heard it. I think there’s only one vinyl left for sale at the moment. I suggest you get yourself a copy because this shit is amazing. I’m looking forward to seeing what BlackLiq puts out next because this made me even more of a fan than I already was.

7. Time Outreaches Any Distance by ToadStool

Here’s another super slept on album that just dropped at the beginning of December. ToadStool is an MC from Rhode Island who I first discovered in 2023 when he was featured on blank thought’s My Life Flashed Before Me album alongside Wesley Rocco & Unsung. I kept up with his output from that point forward, and it became quite clear to me very early on that he’s an incredibly skilled MC. The dude’s flow is smooth as hell, and he rhymes effortlessly. I really enjoy his SWAMPCRAWLR album, but this latest release is the best thing I’ve ever heard from him. I feel like he really leveled up artistically for this project. It’s his most focused, well-rounded album thus far. The features from Defcee, Onry Ozzborn, and Rap Man Gavin are crazy too. As far as I know this album is only available digitally for now. Hopefully we get a physical release at some point because I’d love to add it to my collection.

6. Music to My Eyes by junclassic & Uncommon Nasa

This album was a really bittersweet listen. junclassic suddenly passed away out of nowhere a few days prior to the release of this project. It was really shocking to everyone because I don’t think anyone knew that was gonna happen. It sucks that he’s not here for me to tell him how amazing this album is. What’s crazy is that he almost foreshadows his own passing in the music at certain points. The voice memos that end certain tracks such as Move or Helpful Destiny just feel really heavy in light of his passing. It’s like he knew he wasn’t gonna be around much longer. The context of this album’s release kinda adds a new dimension to the music. Uncommon Nasa has become one of my favorite producers in the past few years. Every time he produces a full LP for someone it ends up being a super cohesive, well rounded project, and this one is no different. The features on this album are excellent as well. Short Fuze in particular might’ve spit the best verse of his career on Glitches. I love this record, and am looking forward to receiving my CD soon. junclassic was honestly one of the nicest people I’ve encountered through my journey as a content creator, so I was very saddened to hear when he passed away. Rest in peace.

5. VEGA GENESIS 3 by VEGA!

https://soundcloud.com/bewarevega/sets/vega-genesis-3?si=ff0cf26bccb048ffa992d1002dd2fb59&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

🔗 Read my review

At this point in the list we’re getting into “best albums I’ve ever heard” territory. People who know me probably are surprised that this isn’t number one to be honest. It was easily my most played album of 2025 (738 minutes), and I personally would consider it my favorite Trap album of all time. I’m constantly playing it around my friends and quoting VEGA! bars. I’ve converted a few people I know in real life into believers. I’m definitely the biggest VEGA! fan on the planet though. I need the VEGA GENESIS trilogy on wax. That’d make me so happy. After this album, I’m finally ready to add him to my “favorite rappers of all time” list. I hope to hear more work from him in 2026. Maybe some collaborations with other dope artists in a similar lane. There’s nothing else on this list that sounds even remotely similar. If you like artists like Yeat, this is a must-listen album. The production? Fire. The melodies? Fire. The bars? Fire. The flows? FIRE. I love everything about this project, including the review I wrote for it. That’s probably my favorite thing I wrote in 2025. The album’s amazing. Check it out.

4. Neighborhood Gods Unlimited by Open Mike Eagle

🔗 Read my review

Open Mike Eagle is a top 5 rapper of all time for me, and this seriously might be my favorite album from him yet. It’s a tough call between this, Dark Comedy, 4NML HSPTL, and Rappers Will Die of Natural Causes. It gets even harder if you include Time & Materials by Cavanaugh. I listened to this latest album a ton this year though. I love how much singing OME did on this record. He’s not the type of vocalist that’s gonna blow you away with the notes he’s hittin’. His soft vocals just sound really pleasant, relaxing, and emotive to me. This is also one of the best produced albums I’ve heard in a long time. I think these are my favorite beats I’ve ever heard from Child Actor, which is saying a lot. We also get fire instrumentals from K-Nite 13, Kenny Segal & Mike Parvizi, Playa Haze, ialive, August Fanon, and Nolan the Ninja. There’s kind of a dreamy, surreal atmosphere to a lot of the sounds on this project, and same goes for some of the lyrical content as well. I played this in the car while running errands with my mom once, and she had quite a cheerful reaction to the song about his phone getting run over by a truck. That’s easily one of the best songs of 2025. I’m sure most of the people reading this list have heard this record already, but if you haven’t yet you’re seriously missing out. This album’s incredible.

3. The Wolf & the Walrus by Teller Bank$ & Ed Glorious

Teller Bank$ & Ed Glorious are like my favorite rapper/producer duo right now. They had my favorite album of 2024, so I was pretty psyched when I saw the announcement for this latest one. These guys are two of the best artists that do what they do. Ed Glorious is probably the most slept on producer I know of at the moment. If I was an MC I would be begging him for beats 24/7. Teller Bank$ is pretty much tied with Sleep Sinatra as my favorite rapper of the decade. When you have two artists who are this talented working together, it’s a no brainer that the result is some truly incredible art. The opening track on this project is a sequel to one of my favorite Teller Bank$ songs, Suicide Hotline 3, so that was pretty exciting for me. Lyrically, 3 is like “I WANT TO KILL MYSELF.” However, 4 sounds like he’s already in the process of killing himself. The despondent delivery just evokes a sense of pure misery. He sounds completely hopeless on that song. It’s crazy. My favorite track is The Wolf though. That might be the hardest song of the year. Nah, it definitely it is. That shit is crazy. He sounds fuckin’ bloodthirsty on that track. The production throughout this entire record is incredible too. Both of these dudes are some of the most slept on artists I know about. I feel like DRUG$$$ got more attention than this one, but maybe I’m wrong. Both the albums are amazing, but I prefer this one personally. It’s boiling hot fire.

2. TIMESOFPERIL by Sleep Sinatra

This is basically a perfect album. It’s my favorite thing I’ve ever heard from Sleep Sinatra. If this had come out any other year of this decade it’d be my album of the year, but 2025 was a particularly strong year for alternative rap. Up until this came out, my favorite record from Sleep was The Spirit of Baldwin Ave. In terms of subject matter alone, that’s probably still my favorite album from him. However, as a full album experience, this latest record is watertight. There’s nothing even remotely close to filler on this thing. It’s just banger after banger. Literally every single track is amazing. I love SINAI.’s production, and Sleep kills every verse. Manji is crazy. Oracle is insane. Missile Silo is bonkers. All the features are wild too. My favorite is probably Doseone, but Breeze Brewin & Nolan the Ninja killed their performances as well. There’s nothing to nitpick with this one. It’s an incredibly cohesive record. I fucking love it. It’s dope as fuck.

1. The Sword & the Soaring by Navy Blue

This album is fucking beautiful. As soon as I pressed play on this shit I had a feeling that it’d end up being my favorite of the year, and I was not wrong. This is the album I’ve always wanted Navy Blue to make, ever since I heard his Higher Self single five years ago. Every verse I’ve heard from Navy Blue in the past has been really dope, but the production wasn’t always what I wanted it to be. That’s not an issue here at all. These are the perfect beats for Navy Blue. Every single song can be considered a highlight. Navy Blue has a soulfulness to the way he raps that most other MCs lack. So much of the lyricism here is genuinely profound in my opinion too. There are some very emotional moments here as well. It’s just a very heartwarming listen. I haven’t been able to find a physical release of this album, so hopefully we get vinyl or tapes or even CDs at some point in 2026. I need this in my collection. It’s my favorite album of the decade so far, and I won’t be surprised if it maintains that spot forever. I don’t think it’ll be possible for him to top this with future releases. You don’t just make something better than perfection. You may match it, but you can’t surpass something like this. If I still gave scores in my reviews I’d probably give this a perfect 100. I cannot stress enough how much I love this thing. Check it out if you haven’t yet. It’s a masterpiece.

As always, thank y’all for rocking with me this year. I’ve got big plans for 2026, so I hope you guys stick around for that. Thank you to all the artists featured on this list for giving me an amazing soundtrack to an otherwise harrowing year. I had a lot of fun writing this list. Let me know what your favorite albums of the year were in the comment section below. Also, check out this playlist I made of my favorite features of 2025. Oh, and happy New Year. ✌🏽

#AJSuede #Ant #ApolloBrown #Araless #ArmandHammer #Atmosphere #AugustFanon #billyWoods #BlackLiq #Bloodblixing #Chow #DubSonata #EdGlorious #Elucid #ErrolHolden #GabeNandez #Ilajide #junclassic #LtHeadtrip #NavyBlue #OpenMikeEagle #Preservation #RhysLangston #Sasco #SleepSinatra #Slug #SnotnozeSaleem #SteelTippedDove #Sunmundi #TellerBank #TheAlchemist #ToadStool #TyFarris #UncommonNasa #VEGA #VicSpencer

2024-09-26

Note: Patreon supporters received access to this review on September 23rd, 2024.

This album was released on May 19th this year. Unless I’m tripping, this is the fourth Teller Bank$ album to be fully produced by Ed Glorious. Every single one has been top notch; The I & I—the collaborative album that preceded this latest release—was and still is my favorite album of 2022. I remember at the time thinking that it would be surprising for them to somehow surpass that project. The rollout for this newest album really made me start reconsidering that stance though. I wasn’t sure if I would love it more than The I & I, but I knew I would think it was fire. Once again, these guys delivered.

The album begins with a major highlight called VVVVV. His flow, lyricism, and vocal delivery are just perfect here. It just gets better and better as it progresses. I really struggled when trying to decide which lines to transcribe here because I could’ve chosen any of them. Both of the verses are flames. I love the hook too.

Top 5 and it's 'bout 5 of us
Gotta slide if you ride with us
I'm outside, me and my niggas
Couple soldiers, side to side with 'em

The production from Ed Glorious is of course phenomenal as well. This entire album is just beautifully produced. I don’t know if there’s a more consistently soulful producer out there than Ed Glorious right now. Every single facet of this song is amazing to me. It might be my favorite intro from Teller Bank$ ever, which is saying a lot. It’s dope as fuck. The following track, The Cold, is somehow even better. This was my favorite track on my first listen of the album. The first time I heard it, I got really excited and got up out of my seat and started jumping up and down. It’s songs like this that make me wish I recorded my reactions to the shit I hear. This shit is incredible, man. That beat is absolutely beautiful. Ed Glorious is one of my favorite producers of the 2020s, and thus one of my favorite producers of all time. This entire album—and this song in particular—solidified him in my top 5 for the decade. The piano driven instrumental here sounds really melancholic and reflective. It’s absolutely gorgeous. Teller’s lyricism matches the somber tone perfectly too. He killed this shit. Everything just came together perfectly.

I got shot at at the Roxy right in front of my dad
Probably a couple conversations that we been shoulda had
Probably a couple situations where I been shoulda passed
Knew it stuck in my mind, spinnin' and runnin' it back
It's like Pulp Fiction how I'm livin', I don't get it
I had to sit and ponder with it
Had to go and wander with it
Quantum physics, long division
Haunted by the harsh conditions we was often taught to live with
Glorified the horrifying
Molded by the darkness in it
Blame it on my darker pigment
Haunted by the darkest figments of their white imagination
Civil engineering of an aryan nation
I'm very impatient, but in time it'll make sense
The Honorable Elijah been said it was spaceships
Don't tell me what space is, don't tell me what safe is
When you guaranteed to take a loss if you don't take risks
When you seen your heroes die on crosses, daily basis

Every single aspect of this song is so fire. The hook is awesome. The second verse is even better than the first one. Well, I guess that could be argued. It depends on what you value. I kinda like both of these verses for different reasons. The first verse is a lot more emotional in my opinion. The second verse is more aggressive—not only in terms of the lyricism, but his flow and delivery as well. I actually don’t know which one I prefer. They’re both equally fire to me. The song is incredible, and easily one of the best of the year. I actually don’t think I’ve chosen a favorite song of 2024 yet, but this is definitely top 3 for me. Fuckkk. I actually don’t know if I can say that because I’m not even sure if it’s my favorite from this album. That’s how fire this shit is. Anyway, the following track is called 9 to 5, and it’s another major highlight for me. This one has a much more celebratory, upbeat instrumental than that of the preceding track. It’s the shortest song on the project, but it doesn’t feel undercooked at all. Teller slaughtered the verse. I love how aggressive he is here. It wouldn’t have sounded right if he didn’t rap that hard over this energetic beat.

'05 in my FILAs, niggas feline
Throwin' threes, no Adidas
All day I dream I see at least five
See at least nine, need nine more
The fuck you think I rhyme for, to work a fuckin' 9 to 5?
Niggas workin' nights, that's a motherfuckin' 5 to 9
Wins and losses separated by a fine line
Mind shine bright, high beams in the night time

The song structure is pretty straightforward since it’s so short. The entire thing is just one verse, but it’s excellent. The song’s dope as fuck. The following track is even better though. It’s called Shoulda Been Signed Twice. Ok, so when you name your song something like that, you have to make sure that you’re doing something special on it, right? Well, Teller Bank$ evidently knew exactly what he was doing here because he absolutely annihilated this shit. The rapping ability demonstrated on this song is elite tier.

Back when I would dream of California
Martin Luther with some reefer and Coronas
Came up like a mustache, right up under your noses
Early bird get the worm, smell the flowers and the Folgers
Turn the pebbles into boulders, never ever missed a quota, Mr. Quotable
The prophet at the podium, causing pandemonium
The teachings of the honorable Elijah where you know him from
The holy one, you know they gon' say it's luck until the second hole in one
Back like I never left, they treat me like the morning sun
Run up on me if you wish, pick the stick up like a stick of wood
Hit you with it like a switch
If you live then you one tough son of a dumb bitch
Cloth I come from—can't cut, you can't stitch
These niggas just rhyme words, bitch, I pain-pitch
Makin' art like I paint pictures of my lane switchin'
Paint pictures, bitch nigga, what it is
Ain't what it ain't isn't the truth
Stranger than fiction, the proof stained in the image
Forever remain committed
Ain't a minute in the day that I ain't thinkin' 'bout some winnin'
Colonel Sanders, every time you see me it's about some chicken

The production is incredible too. I love the drums. The whole track is just insane. It’s definitely one of the best songs on the album. Same goes for the following track, Hard Luck. This one features Rent Money, who fans will remember from The I & I. He certainly has one of the best featured verses I’ve heard all year here. I loved his verse on Pop Star, but this honestly blows that performance out of the water. He went so absurdly hard on this track. It’s crazy.

I'm on a balcony in Bushwick with a backwood and a chopped cheese
You got every pair? Well, nigga, not these
One of one thread with no copies
Nigga, fuck the price, what's the top speed?
You want a normal life? Well, that's not me
I'm movin' big weight, come and spot me
Simon says, nigga, fuck your top 3
They tell me I'm the best, I tell them, "Godspeed"
Knowledge of the self, I feel godly
'Hamdulillah, and peace to the God-body

I guess he has a really fitting stage name. This is what the kids are talking about when they say “rapping like the rent is due.” Don’t get me wrong—Teller’s verse was fire as well. I feel like this track was really Rent Money’s time to shine though, and he took full advantage of the moment. This shit is sensational.

The song is boiling hot fire. Track 6 is called Not a Backpacker, and it’s definitely one of the catchiest songs on the project in my opinion. This one should probably get a music video. The slightly melodic hook is an absolute earworm, especially when combined with the soulful instrumental. As far as subject matter goes, this is definitely one of the hardest songs on the album as well.

Folks actin' like this what he want, no you don't, nigga
Catch me in some new shit, ridin' round with an old pistol
Ridin' like the Pope with 'em
Every single one of my role models was dope dealers
I needed all of them dope dealers, was broke healin'
We maxed out our glass house, got low ceilings
Yeah, I can't pretend this fake shit realer than it is
If you are what you are then it is what it is
Tricks are for hoes, magic shows, and kids

It’s another flawless track to me. I have no complaints with it. Every aspect of the song impressed me. It’s followed by NOBOGO, which is the shortest song on the album by a slim margin. I don’t know why, but the first person I thought of the first time I heard this beat was Mac Miller. I really dug his production. I feel like he would’ve fit over this vibe pretty well. It sounds like Stolen Youth era Vince Staples to me. That’s my favorite Vince project, so that’s saying a lot. The vocal sample is phenomenal. Teller’s performance is of course fire as well. Everything about the song is awesome. I love it. I think Serial Numbers is my favorite song on the album though. This beat, man… It’s so amazing. It’s just got a really warm, comforting vibe that I love a lot. The verse from Teller gives me chills too.

I be exactly where I shouldn't
The son of man, I did what Jesus couldn't
Got my revenge on niggas
I learned my lesson, can't depend on niggas
I don't reminisce, I burn old pictures
I burnt them bridges, and I swam past niggas
You undercut me, now it's over for
Put you in a wooden overcoat
From me to you, something you oughtta know
Give 'em enough to hang themself, you oughtta know the ropes
They tried to back me in the corner, had to rope-a-dope
I was standin' on the corner turnin' soap to dope
Plain to see how much of this game came from me
I should've played for keeps
Made keepsakes out of grief with each wake

I just love how reflective and vulnerable Teller is in his music, and this is a perfect example of that. Once again, the lyricism matches the tone of the production perfectly. This song sounds like the album cover. I think it’s incredible. The following track is called Pots & Kettles, and it features Unruly. Up until I’d heard this, I was kind of ambivalent towards Unruly as an MC. I’d listened to Don’t Go Outside once, and I didn’t think it was bad; I just wasn’t really into his flow or rhyme schemes, and it had a couple features from some artists that I’m not into at all. I think I’m gonna have to revisit it soon though just to see if it will grow on me because he totally won me over with this feature. He sounds great here.

Reptilian eyes if you could see past the lines in some pictures
Economics that the streets have, blue, black, red, and green
How much trauma can we rehash? Black thoughts
False gods fall flat on the asphalt
For niggas cryin' to they mamas, they promise her they have more
Too much pot to burn, I'm trusted, tears dry when I'm smacked though
Malicious thoughts, concerned about my interest
Before I go to sleep at night say words just for my niggas
Be safe, be humble, and if not, be great
We stumble, you read blunders when I jot each page
I don't breathe too well 'cause God keepin' me safe

This song also has what might be my favorite beat that Ed Glorious has ever made. It sounds like hazy sunlight in the form of music. The opening verse from Teller is otherworldly.

Relationships is relative
The distances we travel with
The missiles aimed at battleships
The whips was aimed at back of us
They backed us down and backed us up
They pat us down and pack us up
The price of life is lower than the caskets is and gas is up
Living like the Last of Us, I used up the last of my trust
Used up the last of my love, I rolled up, don't pass it, just puff
To cope with disasters that struck while hope been abandoning us
Dystopia faster for us
Approaching the past is enough to break a man down into dust
Breakin' down pounds ain't enough, the bricks came in building us up
The crackheads start tearing us down, the crackers start roundin' us up
The numbers they givin' to us high, and they roundin' them up
Weighing out ounces in cups
Dividin' the pie is a must, a key to survival for us

Just from a technical standpoint, this is marvelous. This dude is a special rapper, man. I love the song. It’s dope as fuck. The second half of this album is marginally less consistent in my opinion, but it’s still fire. Track 10 is called Showtime. The production is spectacular, and I like the hook here as well. The verse from Teller is of course excellent, but I feel like maybe a second verse would’ve helped elevate the song to the next level. That’s a super nitpick though. The song’s fire as it is. The beat kinda reminds me of Outkast’s Ms. Jackson to be honest. The melody has a similarly melancholic vibe to it. The song’s got a pretty straightforward structure—it’s just one verse bookended by the hook. I fuck with the song. It’s dope as hell. The same goes for the following track, Egg Prices. This beat is another warm, inviting vibe that I really love. I think this is probably one of the most accessible songs on the album just because of the hook, which is an interpolation of Kanye‘s Can’t Tell Me Nothing chorus. This song reminds me a lot of Finders Keepers from The I & I. The sung hook and somewhat triumphant soundscape is what makes me feel that way. The first verse is really great.

Put all my eggs in the same basket, slipped, fell, and I cracked it
Slipped crack stashes in the crack of my mattress

The second one is even better though.

Wait until I see them niggas, bet it's on sight
I was still outside on them cold dark nights
Passin' bags of the coal like them boys not nice
Water mix in with the oil if you turn the pot right
Whip it counterclockwise, been a man amongst mice
Ain't a fan of fantasizing, rather build an enterprise, and
Sat inside my mind, was cuttin' and shinin' diamonds
Might not be just when I want it, but it's always perfect timing

The song honestly grew on me even more as I listened to it again and again. I think it’s dope as fuck. Track 12 is called Aight, and this was perhaps the weakest track on the project for me on my first listen. I still love it quite a bit, but I’m just not really into Gospel sounds like that, so this wasn’t my favorite. The beat’s still great though, and of course the rapping is incredible.

I tried therapy, lied a bunch of times and then I tried again
Therapist crossed a couple lines and then I tried his chin
But I might try again
Strugglin' managin' all these feelings inside again
Strugglin' keepin' focus, who changin' the slide again?
Strugglin' losin' hope, losin' faith in my sight again
Struggle with self control, just a slave to my pride again
Struggle with self-esteem, I'm inside of my mind again

The song grew on me a shit ton honestly. I wasn’t even really sure if I liked it the first time I heard it because I wasn’t paying attention to the lyrics, but once I returned to it I was hooked by the introspection. The lyricism here is right up my alley. I love this shit. It’s dope as hell. Track 13 is called Black & Whites, and it has a really emotional-sounding instrumental. It sounds happy though. It’s emotional in an uplifting way. It sounds like audible determination. I love the way this track is structured—the entire thing is just one fantastic verse from Teller.

I cut the heart out my chest, I ain't got no feelings
I took the knife out my back, shaved onions with it
Niggas talk a lot, ain't never seen 'em did it
I don't know a nigga on the road to riches kept his hands clean, countin' up a million
Dirty game, dirty pots all up in the kitchen
What a shame, niggas never learned to listen
R.I.P. restin' in the pot, he pissin'
Throwin' threes, but I am not no Scottie Pippen
Michael Jordan with a quarter of the chicken
For the score I'll put a nigga in position
I ain't askin' for forgiveness or permission
Had to get up off my ass and go and get it

This is another major highlight on the album for me. It grew on me even more as I returned to the project. I think it’s superb. Track 14 is called Jackie Robinson Jr., and the production is fucking insane. This beat is so fucking amazing, man. Goddamn. These dudes were cookin’ so hard. This is what people mean when they say “locked in.” This song is structured pretty much the exact same way as the preceding track. I remember saying on Twitter that Fed Block Illuminati was one of Teller’s greatest songs, and he responded by referring to it as a “super verse.” This song is another super verse. He does it a lot on this album, and this is one of the best demonstrations. I love it. It’s followed by AU (Gold), which is yet another major highlight for me. This shit is so goddamn fire. The production sounds clean as fuck, yet shiesty as hell at the same time. Teller’s sung hook is super catchy too. This is one of the best songs on the album from a strictly sonic perspective. The lyricism is stellar too though.

I was steady mixin' in that kitchen, I'm a chemist now
I was steady whippin' on a mission, I got different styles
I was head first all in that water, I got gills now
Bitches swear they ain't feel a nigga, in they feels now
Paramedics peeled him off the pavement, then they peeled out
Doctors tryna save him, he ain't make it, guess it's real now
Niggas claimin' shooters all on IG shootin' reels now
Gave up on the get back, they ain't chasers, chasin' fame now
Niggas lame as hell, they on live tryna claim the gang now
Bitches see me, know I'm lit, ain't gotta lay no game down
Everywhere I go I'm gettin' paid, I'm gettin' paid now
Promise if you fuck with the business, you gettin' laid now
Mamas went from dead man starvin' to passin' plates out
Paid my dues and stayed down

I’ve noticed that Teller makes use of anaphora a lot, but I don’t think he overdoes it like Kendrick does. He’s also always had a really awesome Lil Wayne influence, and this track is probably where it’s most evident on this album. He slaughtered this shit. The song’s incredible. Field Flipper has a really nice, melodic beat with these really pretty bells. I’d say this is maybe the one track on the album that I’m not totally head over heels in love with, but it’s still very good. The beat is nice, and Teller’s rapping is really good. It’s a little repetitive at points, but that was obviously an intentional artistic decision. I think if the beat was more impressive to me then I’d probably appreciate it more. Don’t get me wrong—I certainly like this instrumental a lot. It’s just not as incredible to me as every other beat on the album. It’s still a really good song overall though. The penultimate track is called Van Gogh, and it has another really upbeat, kind of celebratory instrumental. It sounds like what plays in my head in the morning when I know I’m about to have a good ass day. Teller performs over it with immense aggression, which I love.

I grew up fast, I was 12 stressin' 'bout some paper
I grew up fast, I was 12 servin' all my neighbors
Came up in the dark, had to learn to aim without a laser
Shootout at the park, ain't no home bases, we ain't playin'
I'll make it spark
If it's really smoke then I'll spray it, nigga, I don't play with niggas

It’s another super verse. Like I said, he does that a lot on this album. I think my favorite line is when he says, “I ain’t seen these niggas with a bad bitch yet.” I don’t know why, but that’s just really funny to me. A big ass smile spread across my face when I heard that. The song’s dope as fuck. The closing track is called Still on Steele, and it’s maybe the best song on the album. The beat is fucking incredible. I have no idea how I’m gonna choose a favorite track from this shit, man. I kinda don’t even wanna write down any of the lyrics from this one because I don’t want to spoil it. I wouldn’t know where to begin anyway—the dude went off for two and a half minutes. This is probably the best verse I’ve ever heard from Teller Bank$ to be honest. Shit is crazy. This beat is crazy too. It actually reminds me of something Pharoahe Monch would slaughter. I think this shit is dope as fuck.

I think this is actually the best album I’ve heard in the 2020s so far. From the moment I first heard Teller Bank$’s voice on SeKwence’s classic Empty Stomachs song, I knew he was capable of something like this. This is really a damn near perfect album to me. I almost don’t even know what to say here because I kinda have nothing to critique. The beats are incredible. The rapping is elite. Even the hooks are catchy as hell. This shit just solidifed Ed Glorious & Teller Bank$ as two of my favorite artists of all time. Bruh… I think The Gun Line might be my favorite rap crew ever, man. These dudes are so special. I live for this shit. I can’t wait to see them perform together in real life some day because this shit needs to be studied. For real. As the one and only Justin Hunte would say, if you’re sleepin’ on Teller Bank$, punch yourself in the face. This shit is dope as fuck.

Favorite Song: Serial Numbers
Least Favorite Song: Field Flipper

97

Watch the video below for more thoughts on this album.

https://youtu.be/Qcr0byMH5yM?si=_T520x18zE_W0gWX

Grade: A+

https://focushiphop.com/2024/09/26/teller-bank-ed-glorious-the-pride-glory-album-review/

#EdGlorious #RentMoney #TellerBank_ #Unruly

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