The first review of the year always brings a strange sensation. After a long year of reviewing great, good, meh, and fucking terrible records, it gets even longer come November/December with list season. The amount of work increases more than ever as you write your blurbs, edit others, and constantly monitor comments by those who wrongfully disagree with you. After list season comes to an end, there’s an involuntary sigh of relief that all the work got done, and while a lot of the lists were shit, stylistically and format-wise, they looked good. But the first review of the year is a different kind of sigh. Not one of relief but one of “here we go again.” So, with my knuckles cracked and promo downloaded, I dive into Spanish thrashers, Furi Helium, and their sophomore outing, No Altar Stands Eternal.
I’m not gonna lie, I absolutely picked this promo because of the band name. Ignoring spelling and pronunciation, the thought of “furry helium” is fucking hilarious to me. As I rolled around on the floor, with kids and cats alike watching in bewildered horror, it was brought to my attention that “furi helium” can be translated to “black sun” in Latin. Fine. Take all the fun out of my life. But, after my initial spins, I came to appreciate this little gem because Furi Helium is much in the vein of Spanish brethren (and one of my favorite thrashers), Crisix.1 So, instead of imagining furry gases that give you a high-pitched voice and furballs, I’m pummeled with crushing riffs, punchy gangshouts, memorable choruses, and a bass presence deserving of better production. Which, I suppose, I can accept.
No Altar Stands Eternal by Furi Helium
Like many of the other neothrash outfits these days, the opening track, “Bloodspiller,” launches into a simplistic approach that sets the tone for the album. But it isn’t until a couple of songs later that No Altar Stands Eternal really takes off. “Criminals” introduces some nifty guitar work and a charging attitude. From there, it alternates between a galloping riff and one of the more memorable choruses on the album. At the album’s midpoint, the back-to-back “Tidal Disruption” and “Fall in Disgrace” rule the roost. While both have killer riffs throughout, what makes these songs so special is the massive bass presence. While it’s been there up to this point, it’s dialed up to eleven, and the performance is stellar. “Tidal Disruption,” in particular, is a banger. It features punchy vocals that perfectly match each drum hit, plenty of melodic At the Gates vibes, and the standout chorus on the record.
Others worth mentioning are “12 Mirrors” and the closer, “The Chronophage.” The first is up there with songs like “Tidal Disruption,” laying to waste anything in its way with a kickass thrash groove and gnarly fucking vocals. It’s a monster mash of Crisix attitude and riffs that get better as they go. The closer is the black sheep of the record, loaded with a thick layer of melodic laquer and dark, swirling atmospheres. It also gives off a lot of The Haunted vibes—growing and falling along a path of thick riffs and soothing movements—producing a near-perfect ending to this sophomore effort.
The main issues I have with No Altar Stands Eternal are that it takes a bit to get going, and the production is not worthy of the skill. While the first handful of songs are worth a listen, by the time you get to “Criminals” (the fourth track on the album), the album really begins to blossom into something special. From there, it’s nonstop satisfaction. I only bring this up because some might bail before the good stuff emerges, and that would be a terrible mistake. While the production isn’t bad, it only bothers me because the nooks and crannies are what I’m most interested in. Whenever the bass controls a song’s flow, it feels dialed up to accommodate it. Otherwise, it sits comfortably in the background. With a dynamic master that can breathe and throb with all the intricacies throughout, we might experience the bass and other subtleties as intended. So, someone sign these sons of bitches and give them money for a higher-quality product. All that to say, I really enjoy this record and shall be jamming to it for months to come.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: furihelium.bandcamp.com | facebook.com/furihelium
Releases Worldwide: January 22nd, 2026
