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#CraftRoundtables

IndieWireindiewire
2026-01-07

PBS SoCal to Air IndieWire’s Craft Roundtables, Featuring the Artists Behind Some of the Season’s Best Films

indiewire.com/news/general-new

IndieWireindiewire
2025-12-29

‘One Battle After Another’ Editor Talks Putting Together That Iconic Car Chase Scene

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-24

How Editor Affonso Gonçalves Made the Play the Thing in ‘Hamnet’

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-23

Cutting ‘Springsteen: Deliver Me from Nowhere’ Meant Conducting Jeremy Allen White’s Acting and Bruce Springsteen’s History Like a Live Duet

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-23

‘Dead Man’s Wire’ Editor Saar Klein on Preserving Anarchic Energy for Gus Van Sant’s Hostage Thriller

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-23

‘BLKNWS: Terms & Conditions’ Editor on Assembling a Film That’s Designed to Be Enjoyed Like an Album

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-23

‘A House of Dynamite’ Editor Kirk Baxter on Why the Script ‘Frightened’ Him, but Also Felt Like It Was Written for Him

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-23

‘Sinners’ Editor Michael Shawver on Why Parameters Can Be a Source of Freedom

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-22

‘Avatar: Fire and Ash’ Production Designer Dylan Cole on Treating the Sci-Fi Blockbuster Like a Period Piece

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-20

‘Kiss of the Spider Woman’ Production Designer Scott Chambliss Wants to Find the ‘Why?’ with His Sets

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-20

‘Avatar: Fire and Ash’ Created the Na’vi World’s Real Biology by Narrowing Possibility, Not Expanding It

indiewire.com/features/craft/c

IndieWireindiewire
2025-12-19

To Build the World of ‘The Testament of Ann Lee,’ Production Designer Sam Bader Had to Craft Three Distinct Locales

indiewire.com/features/craft/t

IndieWireindiewire
2025-12-19

Why the Production Design of ‘Hedda’ Is as Modern as Its Main Character

indiewire.com/features/craft/h

IndieWireindiewire
2025-12-19

How Production Designer Alexandra Schaller Brought the Dreamy Qualities of ‘Train Dreams’ Down to Earth

indiewire.com/features/craft/t

IndieWireindiewire
2025-12-18

IndieWire Craft Roundtables: The Editors of 2025’s Most Ambitious Films Discuss Their Challenges

indiewire.com/features/craft/e

IndieWireindiewire
2025-12-16

IndieWire Craft Roundtables: The Production Designers Behind 2025’s Most Vivid Movies Discuss Their Processes

indiewire.com/features/craft/2

IndieWireindiewire
2025-12-10

IndieWire Craft Roundtables: Casting Directors of Some of 2025’s Top Films Talk About Their Unique Process

indiewire.com/features/craft/2

IndieWireindiewire
2025-12-09

IndieWire Craft Roundtables: The Cinematographers Behind 2025’s Most Memorable Images Discuss Their Work

indiewire.com/features/craft/2

IndieWireindiewire
2025-11-20

‘Avatar: Fire and Ash’ Casting Director Margery Simkin Talks Importance of Great Actors in VFX-Heavy Work

indiewire.com/features/craft/a

IndieWireindiewire
2025-11-19

For ‘After the Hunt’ Casting Director Jessica Ronane, Having Julia Roberts Already Attached Only Opened Up More Possibilities

indiewire.com/features/craft/c

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