Jeden Tag Emotionen neu verhandeln. Laute Musik hat die Lautheit der Gedanken heute in Schach gehalten! Lichtblick des Tages: Mein Hund hat sehr wahrscheinlich kein Krebsgeschwür; ich gehe mit Freundinnen #Hamnet ansehen.
#Hamnet
#Hamnet lidera la taquilla de un #LoloMartes en el que #TresAdioses sube al tercer puesto https://elseptimoarte.net/noticias/criticas/hamnet-the-leftovers-51761.html https://elseptimoarte.net/noticias/criticas/tres-adioses-aqui-y-alla-52183.html
#Hamnet is an absolutely beautiful film. Magnificent #cinematography, terrific #screenplay and sensational acting performances from #JessieBuckley and #PaulMescal.
Ieri sera ho visto #Hamnet in lingua originale. Bel film, attori straordinari. Ho avuto solo un dubbio storico. Shakespeare e sua moglie dicevano "Okay"? Perché un paio di volte si è sentito bene.
Question for #Shakespeare fans: Have you seen #Hamnet? If so, what did you think? I definitely have opinions, but I'll hold them till I see the responses from others.
J‘ai vu #Hamnet, une agréable surprise, comme j‘avais trouvé #Nomadland beaucoup trop lice par rapport à l’enquête de Jessica #Bruder. C‘est très fin (si je fais abstraction de plages musicales appairées et redondantes) et ça donne envie de lire aussi le roman de Maggie O'Farrell. Et justement, comme je suis en train de lire un autre roman qui s‘appuie sur Hamlet, Isabelle #Hammad, enter #ghost - traduit en français par Josée #Kamoun : #Hamlet le long du mur, je vous propose un petit extrait, la narratrice, Sonia, palestinienne de l’intérieur, actrice, vivant à #Londres, de retour à #Haïfa, se laisse entraîner à jouer #Gertrude dans une mise en scène à #Ramallah. En même temps, des souvenirs familiaux reviennent et elle a beaucoup de questions à poser à son père, vivant également à Londres, elle l‘a au téléphone depuis Ramallah (petit détail pour comprendre, la maison familiale de Haïfa n‘a pas été confisquée, mais vendue par son oncle, resté sur place, qui voulait s‘installer en #Cisjordanie. BTW, dans ce roman on peut comprendre toute la complexité de la communauté palestinienne éclatée partout dans le monde jusqu‘en #Israël même)
« I looked through the window at the garden. ‘Baba?’
‘Yes?’
‘I’m feeling quite sad at the moment.’
‘Don’t be sad.’
‘It’s hard here. The atmosphere is, it’s heavy.’
He chewed, slurped. ‘It’s complicated.’
‘It’s not complicated.’
‘Okay,’ he said, like he was admitting defeat. It was the same tone he used when I was a child if I ever challenged him. He closed down the discussion immediately by pretending he was letting me win.
‘Can I ask you?’
‘What.’
‘What you did in the seventies.’
He gave a sigh that approached a groan.
‘Does Haneen—’
‘Not on the phone.
‚Okay. Well, will you tell me . . . something else, will you tell me about your childhood?’
‘Sonia.’ Then, relenting: ‘What do you want to know?’
Laundry swayed on the line. A bird stepped on the lawn and took flight, aiming at a tree.
‘Will you tell me when you realised what was happening?’
He was moving around: I pictured him getting out of his chair, walking across the room. Lowering himself onto the couch. ‘Listen.’ He paused. ‘It wasn’t until I left Palestine that I really knew Palestine.’
‘What does that mean?’
‘Just wait for me to finish. Listen.’
Silence. I waited.
‘I was born into it,’ he said finally. ‘Okay? I was born a few months before the Nakba. You know this. You know what it means? It means it was already my reality. I didn’t know what it was before. Teta and Jiddo didn’t talk about it. And I didn’t ask.’
‘Did they talk to you about collaborators?’
‘What? What has collaboration to do with it? We didn’t talk about any of it, like I told you. There are no collaborators in my family.’
‘I wasn’t suggesting.’
‘We are a good family. My great-uncle fought with Qawuqji.‘
« I know that.’
‘We are good stock, we weren’t these elite, y‘ani . . . Okay?’
‘Baba, I know, that’s not what I was saying.’
‘Okay. So, as you know, I went to boarding school in Nazareth when I was nine years old.’
I wasn’t sure I had known that, but I didn’t want to interrupt him.
‘I remember, we have to get a permit to move to Nazareth from the military governor. I couldn’t believe that. I said I am going to school. Why the permit? And slowly, slowly, I started grasping it.’
‘When you were nine years old?’
‘Maybe, no, not nine years old. Maybe a little older. But I grasped it. And I didn’t like it. Later, you know, they changed our residence to Nazareth, in the school. And the school started, at the end of every month, getting permits to allow us to come to see our parents. So, slowly, slowly, I started to feel the Israeli persecution and mistreatment of us, of the Arabs.’ He cleared his throat. ‘And then, slowly, slowly, I started grasping the reality. You see? Workers can’t go to their work without a permit. People can’t develop their lives without a permit. And later, by the time I went to Beirut, I was already completely politicised. In a sense. I graduated from the high school as a young, politicised, conscious student. So, when military rule ended I was nineteen. Right? I was a . . . a . . . I joined the party when I was sixteen.’
‘Right.’
‘In nineteen sixty-seven I stayed. Okay? Then, after the census, an Anglican priest smuggled me across the Naqoura border to Lebanon, and I spent four years in Beirut.’
‘What? Did you just say a priest smuggled you?’
‘What I’m telling you is, in Lebanon I really understood. Because it began then, the movement, properly. The movement outside. And I saw the refugees. I didn’t see refugees before, you know? Not like this. And I saw the people, active. Before nineteen sixty-seven there was no . . . Up to nineteen sixty-seven the name even vanished from the UN.’
‘You can say Palestine.’
‘Mm.’
‘You said it a few minutes ago.
à suivre en commentaire
‘Pillion’, ‘Hamnet’ & Milestones for Bleecker Street & Vertical At The Specialty Box Office
#News #A24 #Arco #BleeckerStreet #Dracula #Hamnet #LucBesson #Pillion #SpecialtyBoxOffice #StrayKidsThedominATEExperience #Vertical
https://deadline.com/2026/02/indie-film-box-office-pillion-hamnet-stray-kids-dracula-1236712432/
Paul Thomas Anderson Wins DGA Top Film Prize For ‘One Battle After Another’, Pays Tribute To Producer & AD Adam Somner: “He Would Love This”
#News #ChloéZhao #DGA #DGAAwards #Frankenstein #GuillermoDelToro #Hamnet #JoshSafdie #MartySupreme #OneBattleAfterAnother #PaulThomasAnderson
https://deadline.com/2026/02/paul-thomas-anderson-one-battle-after-another-dga-awards-1236712274/
It case the above is ambiguous for any of you: I loved it
#Hamnet
Oscar-Nominated Composers Single Out One Magic Moment in Their Scores
#Variety #News #Hamnet #MusicforScreens #Oscars #Sinners
https://variety.com/2026/artisans/news/oscar-composers-scores-moment-1236655483/
Z cyklu Opinie, które nikogo nie intesują: #hamnet to nie jest dobry #film. Może zresztą trzeba lepiej ogarniać Shakespeara niż ja, żeby docenić, ale ja się wynudziłem. Miał być wzruszający, mnie się wydał egzaltowany i przerysowany. Fajna obsada ani ładne plenery nie równoważą słabiutkiej reżyserii.
Pues no, parece que #StrayKids no ha liderado la taquilla española del viernes por delante de #Hamnet https://elseptimoarte.net/noticias/criticas/hamnet-the-leftovers-51761.html
Max Richter: the composer who crosses the invisible divide between ‘high’ and ‘low’ music https://www.theguardian.com/music/2026/feb/06/max-richter-the-composer-who-crosses-the-invisible-divide-between-high-and-low-music #Music #Culture #ClassicalMusic #Hamnet
J’ai vu #Hamnet par hasard ; c’était la seule séance programmée en début d’après-midi qui ne me rebutait pas.
Poésie certaine, prenante. Sad as fuck, do not recommend un jour de pluie 😂
(Pour mes fellow hypersensibles influencéexs par l’humeur qui se dégage d’un film, et la météo).
🎼 Anfang März spielt #MaxRichter live im #KKLLuzern. Vorab habt ihr jetzt bereits die Möglichkeit, seine Arbeit als 🎹 Filmmusik-Komponist in 🎞 #HAMNET bei uns im kult.kino auf der Leinwand zu hören & zu sehen.
⏰ Unsere Spielzeiten und 🎟 Tickets für das kult.kino findet ihr online unter: https://www.kultkino.ch/film/hamnet/
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