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#Operasinger

Megan Marie Hartmeganmariehart
2026-02-15

That’s it for my witchy! Tomorrow we start staging of Monteverdi’s L’incoronazione di Poppea in the morning, and Weinbergs’s Kain und Abel in the evening. Crazy, but fun crazy!

Megan Marie Hartmeganmariehart
2026-02-15

RE: mastodon.social/@meganmariehar

15 minutes till my last Hänsel und Gretel! (There’s one more on March 6, with the wonderful Katrin Gerstenberger as Hexe.)

Megan Marie Hartmeganmariehart
2026-02-11

HÄNSEL UND GRETEL

🗓️ Feb. 15
🕓 16:00
📍 Staatstheater Darmstadt

Gretel: Ofeliya Pogosyan
Hänsel: Lena Sutor-Wernich
Vater: Johannes Martin Kränzle
Mutter: Solgerd Isalv
Hexe: Megan Marie Hart
Sandmännchen/
Taumännchen: Aki Hashimoto

Staatsorchester Darmstadt
Conductor: Alessandro Palumbo
Director: Nicola Raab
Stage & Video design: Danila Travin
Costumes: Lisa Moro
Dramaturg: Stefan Czura

ℹ️ staatstheater-darmstadt.de/ver

Two dark silhouettes stand in front of a stage. A red curtain is visible on the left of the stage, and a cartoonish gingerbread house is visible on the right. Ofeliya Pogosyan as Gretel and Lena Sutor-Wernich as Hänsel in Nicola Raab’s staging of Englbert Humperdinck’s opera Hänsel und Gretel at Staatstheater Darmstadt in the 2025/2026 season. Photo © Sina Osner/Staatstheater Darmstadt
Megan Marie Hartmeganmariehart
2026-02-09

RE: mastodon.social/@meganmariehar

🧹 10 minutes till Hänsel und Gretel! … so early … 🥱

Megan Marie Hartmeganmariehart
2026-02-08

Staatstheater Darmstadt encourages us to shoot random shorts for social media. There was literally no reason to make any during the final Aida, since it was, well, the last one. However, I documented how I psyched myself up to sing a high E-Flat anyway – and we made a fun little clip from the videos!

(I mention Aris, but forgot to explain who he is: Aris Argiris was Amonasro, the father of my character Aida.)

Megan Marie Hartmeganmariehart
2026-02-08

HÄNSEL UND GRETEL

🗓️ Feb. 9
🕚 11:00 (am)
📍 Staatstheater Darmstadt

Gretel: Jana Baumeister
Hänsel: Lena Sutor-Wernich
Vater: David Pichlmaier
Mutter: Solgerd Isalv
Hexe: Megan Marie Hart
Sandmännchen/
Taumännchen: Aki Hashimoto

Staatsorchester Darmstadt
Conductor: Marcus Merkel
Director: Nicola Raab
Stage & Video design: Danila Travin
Costumes: Lisa Moro
Dramaturg: Stefan Czura

ℹ️ staatstheater-darmstadt.de/ver

Seven young women in black gothic outfits with black butterfly wings surround a male presenting person lying on the floor of a dark stage. In the background is a projection of gray-green lines and flourishes. Mezzo-soprano Lena Sutor-Wernich as Hänsel in Nicola Raab’s staging of Engelbert Humperdinck’s opera Hänsel und Gretel at Staaatstheater Darmstadt in the 2025/2026 season. Photo © Sinah Osner/Staatstheater Darmstadt
Megan Marie Hartmeganmariehart
2026-02-07

RE: mastodon.social/@meganmariehar

That’s a wrap!!

Our Intendant had a surprise for us: This Aida production will come back to Darmstadt the season after next. … that’s 2027/2028 I think? Very exited about that!!

Oh, and also: I sang a high E-flat in the finale, like Maria Callas! So, yeah. That happened! 😸

Megan Marie Hartmeganmariehart
2026-02-06

RE: mastodon.social/@meganmariehar

CAST UPDATE: Liangliang Zhao is singing Il Re, the Pharao of Egypt in tonight’s Aida, instead of Johannes Seokhoon Moon!

And now it’s only 13 minutes till our 10th and last performance of Noa Naamat’s staging of Verdi’s AIDA in Darmstadt! Sold out again!!🥳

Megan Marie Hartmeganmariehart
2026-02-05

AIDA

🗓️ February 6
🕢 19:30
📍 Staatstheater Darmstadt

Aida: Megan Marie Hart
Radamès: Matthew Vickers
Amneris: Katrin Gerstenberger
Amonasro: Aris Argiris
Ramfis: Zaza Gagua
Il Re: Liangliang Zhao
Sacerdotessa: Ofeliya Pogosyan
Messaggero: Marco Mondragón

Staatsorchester Darmstadt
Conductor: Johannes Zahn

Staging: Noa Naamat
Costume: Bettina John
Set: Bettina John/Noa Naamat

ℹ️ staatstheater-darmstadt.de/ver
📽️ youtube.com/watch?v=yOOkwF5apwI

A couple embraces in the ruins of a concrete building in a gloomy setting. The man has dark hair and gray stubble. He wears dirty combat fatigues and tenderly holds the woman's head to his chest with a gloved hand. The woman has dark hair and wears a purple cardigan, her eyes are closed. In the background rubble can be seen against a dark gray sky. Matthew Vickers as Radamès, Megan Marie Hart as Aida in Verdi’s opera Aida, staged by Noa Naamat at the Staatstheater Darmstadt in the 2025/2026 season. Photo: Nils Heck/Staatstheater Darmstadt
KornelMDesignKornelMDesign@mastodon.art
2026-01-30

And here we go. 😎 Merry Widow tonight. 😊
#art #opera #opereta #operasinger #theater

Megan Marie Hartmeganmariehart
2026-01-29

Attending the dress rehearsal of Claude Debussy’s Pelléas et Mélisande, staged by the amazing Dirk Schmeding!

Arkel: Johannes Seokhoon Moon
Geneviève: Lena Sutor-Wernich
Pelléas: David Pichlmaier
Golaud: Georg Festl
Mélisande: Jana Baumeister
Yniold: Theodor Wahl

Conductor: Lucie Leguay

Premiere is on Saturday!

🗓️ Jan. 31
🕢 19:30
📍 Staatstheater Darmstadt
ℹ️ staatstheater-darmstadt.de/ver

LambdachroLambdachro@piaille.fr
2026-01-29

Aujourd’hui je vous emmène à Melbourne en Australie dans un recueil d'histoires et aussi le premier album sorti il y a 20 ans maintenant d’Oliver Mann. Il est chanteur d’opéra (je vous aurais tout fait les amis, la DA est éclatée), il est baryton-basse, et peut descendre comme Brad Roberts et monter comme Anohni. Une dinguerie comme dises les gosses. Il dit: ne croyez pas les gens qui vous parlent de bonheur, ils ne font que l’imaginer et ça ne ressemble jamais à tout ça. Vous trouverez 3 albums à dévorer qui s’en approchent et si vous accrochez sur ce premier titre absolument délicieux la discographie vous attends.

#OperaSinger

olivermann.bandcamp.com/track/

Oliver Mann, portrait de 3/4 regardant l'objectif. Fond noir et costume chemise noires. Il porte une barbe courte et à des yeux gris vert bleu on ne sais plus très bien on dirait des opales.Oliver Mann Portait couleur de face. Plus de barbe il fixe la caméra les yeux un peu plissés. Chemise gris foncé et arière plan d'une facade de maison en bois très rustique avec une porte en bois foncé.
Megan Marie Hartmeganmariehart
2026-01-23

RE: mastodon.social/@meganmariehar

CAST UPDATE: Leonardo Lee will perform as Amonasro in tonight’s Aida instead of Aris Argiris!

And our penultimate Aida starts in 10 minutes!

Megan Marie Hartmeganmariehart
2026-01-23

LETTERS TO FRED

For Holocaust Remebrance Day I’m going to perform “Letters to Fred” by Bracha Bdil in North Rhine-Westphalia. Sunday at Landestheater and Tuesday in at the Kunstquartier.
Please come and see this important work—the letters are beyond, they simply must be heard.

📍 LandestheaterDetmold
🗓️ Jan. 25
🕦 11:30
📍 Kunstquartier Hagen
🗓️ Jan. 27
🕢 19:30

Line drawing of belt buckles in white on a blue background. Illustration titled “You Forgot Your Belts” by Stefan Romero Grieser, January 2026. CC-BY-SA 4.0
Megan Marie Hartmeganmariehart
2026-01-23

RE: mastodon.social/@meganmariehar

CAST UPDATE: Irina Ignata will take over the role of Amneris in tonight’s performance in place of Katrin Gerstenberger!

Aida

Megan Marie Hartmeganmariehart
2026-01-20

Thank you, Detlef Obens @opernmagazin !!!

🔗 opernmagazin.de/ein-plaedoyer-

Blck box with white text over a picture of a woman with long dark hair braided into a single plait. She is turned away from the box and has her head turned to look back at it. She is wearing a pink top, a dirty and torn pink dress, a dark purple cardigan and sandals. In the background, rubble and a collapsed tower can be seen against a pale pink sky. Megan Marie Hart as Aida in Noa Naamat’s staging of Giuseppe Verdi’s opera Aida at the Staatstheater Darmstadt in the 2025/2026 season. Photo: Nils Heck/Staatstheater Darmstadt The white text reads: “With Megan Marie Hart, Darmstadt boasts an Aida of great vocal and dramatic stature. And that is exactly what this production needs. Almost constantly present on stage, Ms. Hart also convinces in her silent moments with her acting and physical commitment. Vocally, she has internalized this role completely. Her soprano blossoms powerfully and very securely in the high notes—and Verdi composed for his Aida several of those into the score—and unfolds with equal intensity in the lower registers. Enchantingly beautiful is her Nile Scene in the third act, with an almost whispered ‘mai più ti rivedrò!’ – a soloistic highlight!” Das Opernmagazin
Megan Marie Hartmeganmariehart
2026-01-20

RE: mastodon.social/@meganmariehar

If you want to see our Aida in Darmstadt and don’t have a ticket yet, the penultimate performance on Friday is your last chance! (The final performance in February is sold out.)

🎟️ webshop.staatstheater-darmstad

Megan Marie Hartmeganmariehart
2026-01-20

AIDA

🗓️ January 23
🕢 19:30
📍 Staatstheater Darmstadt

Aida: Megan Marie Hart
Radamès: Matthew Vickers
Amneris: Irina Ignata
Amonasro: Leonardo Lee
Ramfis: Zaza Gagua
Il Re: Johannes Seokhoon Moon
Sacerdotessa: Ofeliya Pogosyan
Messaggero: Kiduck Kwon

Staatsorchester Darmstadt
Conductor: Johannes Zahn

Staging: Noa Naamat
Costume: Bettina John
Set: Bettina John/Noa Naamat

ℹ️ staatstheater-darmstadt.de/ver
📽️ youtube.com/watch?v=yOOkwF5apwI

A dark-haired man with stubble and a mustache hides in a concrete ruin. Outside, on the right, is a woman with long dark hair braided into a single plait. She is moving away from the building and has her head turned to look back at the man. She is wearing a pink top, a dirty and torn pink dress, a dark purple cardigan and sandals. In the background, rubble and a collapsed tower can be seen against a pale pink sky. Matthew Vickers as Radamès and Megan Marie Hart as Aida in Noa Naamat’s staging of Giuseppe Verdi’s opera Aida at the Staatstheater Darmstadt in the 2025/2026 season. Photo: Nils Heck/Staatstheater Darmstadt
Megan Marie Hartmeganmariehart
2026-01-16

RE: mastodon.social/@meganmariehar

As of now, there are still tickets available in all price categories for tomorrow’s Aida, so if you’re interested in going, get them quickly!
(Our production will be performed only three more times in Darmstadt (including tomorrow), after which it will go to the Finnish National Opera in Helsinki.)

🎟️ webshop.staatstheater-darmstad

LoC Appreciation Societytestlocgovappreciation@mastodon.ozioso.online
2026-01-14

Ernestine Schumann - Heink [1920]
Bain News Service
1 negative : glass ; 5 x 7 in. or smaller. | Photograph shows German American opera singer Ernestine (Rössler) Schumann-Heink (1861-1936) when she played a concert at Ellis Island in 1920. (Source: Flickr Commons project, 2017 and 2024)

Ellis Island is an island in New York Harbor, within the U.S. states of New Jersey and New York. Owned by the U.S. government, Ellis Island was once the busiest immigrant inspection and processing station in the United States. From 1892 to 1954, nearly 12 million immigrants arriving at the Port of New York and New Jersey were processed there; as many as two-fifths of Americans may be descended from these immigrants. It has been part of the Statue of Liberty National Monument since 1965 and is accessible to the public only by ferry. The north side of the island is a national museum of immigration, while the south side of the island, including the Ellis Island Immigrant Hospital, is open to the public through guided tours.

#ErnestineSchumannHeink #OperaSinger #EllisIsland #Concert #BainNewsService #Photograph #glassnegatives #news #photography #Ernestine #SchumannHeink
loc.gov/item/2014719588/

The image is a black-and-white photograph depicting four individuals walking in a line on a paved path. The setting appears to be outside a building with large windows and a central entrance. The individuals are dressed in formal attire, indicative of the early 20th century. - On the far left, there is a woman wearing a dark coat with a fur collar, a wide-brimmed hat, and dark shoes. She is walking with a slight smile and holding the arm of the person next to her. - Next to her is another woman in a dark dress with a lighter-colored collar and cuffs, and she is also wearing a fur stole draped over her shoulders. She is holding the arm of the woman next to her. - The third individual is a woman in a white dress with a wide-brimmed hat and a small handbag in her right hand. She is walking with a composed demeanor. - On the far right is a man in a dark suit with a striped tie and a white shirt. He is walking with a slight smile and holding a piece of paper in his left hand. The image has a vintage feel, with a slightly faded appearance and a white border around the edges, suggesting it might be a historical photograph. The text "SCHUMANN HENK" is visible in the upper right corner of the image.

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