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#MetalFantasy

Hodgepocalypsedrevrpg@dice.camp
2026-02-05

hodgepocalypse.com/2026/01/cap
The Minotaurs did not come alone.
When their world split, it bled monsters through the wound—arena-born consequences drawn to sound.
The Coliseum stands as a cage with a rhythm, because Minotaurs have already watched one world die screaming for an encore.
#Hodgepocalypse #TTRPG #Worldbuilding #MetalFantasy

Hodgepocalypsedrevrpg@dice.camp
2026-01-29

hodgepocalypse.com/2026/01/cap
Minotaur tours are treated as foreign relations events across the Capital Parkland.

Each faction reacts differently—not because they disagree on danger, but because they understand it differently. Noise becomes diplomacy. Rhythm becomes containment.

This is how unstable regions stay standing.

#Worldbuilding #TTRPG #FactionPolitics #MetalFantasy

Hodgepocalypsedrevrpg@dice.camp
2026-01-22

hodgepocalypse.com/2026/01/cap
The Coliseum’s layout changes because fragments of Minos leak through it.

Music stabilizes corridors. Emotion opens doors. Some spaces remember you.

Ed-Town stopped mapping it. Minotaurs didn’t—they just stopped pretending maps were supposed to be quiet.
#Worldbuilding #TTRPG #MetalFantasy #Hodgepocalypse

Hodgepocalypsedrevrpg@dice.camp
2026-01-15

hodgepocalypse.com/2026/01/cap
Minotaur roles aren’t careers—they’re recognized ways of being useful.

Fixers. Scouts. Drivers. Rig Doctors. Guardians. Channelers. Rockers.

Authority comes from competence under pressure, not volume. That’s why the culture holds when things answer back.
#Worldbuilding #TTRPGDesign #MetalFantasy #Hodgepocalypse

Hodgepocalypsedrevrpg@dice.camp
2026-01-08

Minotaur society runs on ritual, not hierarchy.
hodgepocalypse.com/2026/01/cap
Soundchecks before danger.
Pits instead of courts.
Battle of the Bands instead of street wars.

The Coliseum works because this culture contains what answers the noise.

#Worldbuilding #TTRPG #MetalFantasy #Hodgepocalypse

Hodgepocalypsedrevrpg@dice.camp
2026-01-01

The Coliseum District isn’t just loud—it’s structural. A wound in time that sings back, containing pressure so the rest of Ed-Town doesn’t break. Shut it down and something worse answers.
hodgepocalypse.com/2025/12/cap
#Worldbuilding #TTRPG #MetalFantasy #hodgepocalypse #drevrpg #dnd5e #apocalypse #dungeonsanddragons #alberta #canada #edmonton #minotaur

🤘 The Metal Dog 🤘TheMetalDog
2023-02-08


.N
ARCH ENEMY's MICHAEL AMOTT: 'In Many Ways, I'm Still Living My Teenage Fantasy'
During an appearance on the latest episode of the "Scars And Guitars" podcast, Swedish guitarist Michael Amott reflected on his three-and-a-half-decade career as a member of some of several acclaimed extreme metal acts, including...

blabbermouth.net/news/arch-ene

ChatGPT Summary: In this article, Blabbermouth interviews the guitarist of the heavy metal band Arch Enemy, Michael Amott. During the interview, Amott expresses his continuously passionate relationship with the guitar, despite having spent over 30 years as a professional musician. He reflects on how active and creative he feels in the music making process, and how there have been some days when he has lost focus that have reminded him of why he loves the instrument in the first place. Amott describes being an “eternal teenager” in that sense, and how this has kept him feeling passionate about music all these years.

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