Necrofier â Transcend into Oblivion Review
By Creeping Ivy
Houstonâs Necrofier first came on my radar when they played the 2024 Decibel Magazine Tour with Hulder, Devil Master, and Worm. Sadly, I missed their opening set, but gladly, I caught a recording of it on YouTube.1 Their raucous, crowd-pleasing performance compelled me to check out their recordings. At 36 minutes, debut Prophecies of Eternal Darkness (2021) is a lean, mean barrage of melodic black metal, while Burning Shadows in the Southern Night (2023) ups the ante with 47 minutes of stronger, more polished material. Necrofierâs (lone?) star seems to be on the rise since Decibel 2024, as their third album arrives on the mighty Metal Blade Records. Also on the rise are the bandâs ambitions; Transcend into Oblivion spreads three three-songs suites and an eponymous closing track across a hefty 59 minutes. Everything is bigger in Texas, sure, but bigger doesnât always mean better (or good).
Perhaps due to their sweltering abode, Necrofier draws black metal sustenance from the shivering environs of Scandinavia. Dissection is certainly an immediate reference point, if they excised the excursions into folky melodeath. Necrofierâs preferred melodicism swirls as a maelstrom of mobile power chords by guitarists Bakka and Semir Ăzerkan, propelled by the dexterous drumming of Dobber Beverly.2 The influence of Watain also feels present, especially since Bakkaâs rasp sounds quite a bit like E. And early Emperor reigns here as well, before they fully unbound Prometheus. Violins, synthesizers, and harpsichords are felt more than heard outright, balancing a sweet spot production-wise Ă la Anthems to the Welkin at Dusk. On the unfortunate side of the production is bassist Mat Valentine, who gets lost in the shuffle. Nevertheless, Transcend into Oblivion consistently delivers quality black metal that is melodic but dangerous.
Transcend into Oblivion by Necrofier
Transcend into Oblivion progresses as three suites, each comprised of three songs. Together, they narrate a âLuciferian Night of the Dark Soulâ: a spiritual awakening incites torment that ultimately engenders rebirth. Individually, they mostly play out as a collection of thematically-linked songs. âFires of the Apocalypse, Light My Pathâ immediately kicks the door in (âFiresâŠIâ) before kicking the door in again (âFiresâŠIIâ) and againââFiresâŠIIIâ is the strongest of the trio, but the listener begins wondering why these songs are presented as holistic units. The âServants of Darkness, Guide My Wayâ trilogy comes closest to reaching suiteness. âServantsâŠIâ starts with one of the albumâs gnarliest trem riffs, âServantsâŠIIâ cools things down with an extended acoustic passage, and âServants IIIâ delightfully dips into doomy Middle-Eastern territory before black-metal blastoff. As for the âHorns of Destruction, Lift My Bladeâ triumvirate, it adds variety with d-beats, chunkier riffs, and a gong, but it feels like more of the same this deep into the album. Thereâs no real filler amongst the suites, but there arenât any thrilling peaks either.
Keeping with their spiritualism, Necrofier nests numerology into Transcend into Oblivion, punctuating its three-song threesome with three instrumentals. For the most part, they effectively break up the black metal action. On the heels of the opening âFiresâ suite, âBehold, the Birth of Ascensionâ conveys the onset of (re)birth pangs. Repurposing a melody from âFiresâŠIIIâ with creepy bells and macabre piano, it cleverly inverts the typical function of an interlude, segueing out of a song rather than into one. More in the typical interlude camp is âMystical Creation of Enlightenment.â Its Spanish-sounding acoustic plucks make for a soothing shift out of the savage âServantsâ suite, while its ending modulation prefigures the ornery onset of the âHornsâ suite. Oddly enough, itâs the eponymous instrumental that feels superfluous. âToward the Necrofierâ concludes the album with ominous space synths, incantatory spoken word, and tribal rhythms. âHornsâŠIII,â however, ends with its own climax and a piano denouement, which makes the final instrumental feel like a coda to an album that doesnât need more closure.
âToward the Necrofierâ does function as a serviceable springboard for a second spin of Transcend into Oblivion, an album which I ultimately recommend. It makes sense that Necrofier would cap off a work about rebirth with an eponymous song distilling the more unique elements of their sound. While Necrofier donât fully realize their conceptual ambition, Transcend into Oblivion is sweet stuff regardless, demonstrating lots of promise for future outings. Black metal zealots of all stripes should strongly consider messing with these Texans.
Rating: 3.0/5.0
DR: 8 | Format Reviewed:256 kbps mp3
Label: Metal Blade Records
Websites: Bandcamp | Instagram | Facebook
Releases Worldwide: February 27th, 2026
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