#EarlyNetherlandish

Jonathan Emmesedijemmesedi@c.im
2025-11-25

@simoninsuffolk.bsky.social

Here's St Catherine, second from left in a Gerard David painting from around 1510 in London's National Gallery. The two figures to the right of the Virgin and Child are St Barbara and St Mary Magdalene. The man on the left is the donor.

The Christ Child is putting a ring on St Catherine's finger to represent their Mystic Marriage.

There's so much more to this picture, but I'll confine myself to saying I love it.

#Art #GerardDavid #Painting #VirginAndChildWithSaintsAndDonor #StCatherine #StMaryTheVirgin #StBarbara #StMaryMagdalene #ChristChild #EarlyNetherlandish #NorthernRenaissance

Jonathan Emmesedijemmesedi@c.im
2025-11-15

Pietà -- Probably by the workshop of Rogier van der Weyden -- c.1465 -- National Gallery, London
-- creativecommons.org/licenses/b

This picture is not on display at the moment, but I remember seeing it decades ago and its lodging in my memory as an image of late medieval devotion.

In the grand scheme of art history, this particular painting is not of great significance, yet its place in my memory shows how even a minor work can play a major role in the development of an individual's understanding and sensibilities.

More on the picture here: nationalgallery.org.uk/paintin

#Art #Painting #RogierVanDerWeyden #Pieta #NorthernRenaissance #EarlyNetherlandish

The weeping Virgin Mary embraces Christ’s bodythat has been  taken down from the Cross. 

On the left of the picture is Saint Jerome with the lion that was his companion. On the right, a saint wearing the black and white robes of the Dominican Order could be Dominic, but he has no identifying emblem. The donor wears a black garment trimmed with brown fur. The object behind his head is a purple hat, and he wear pattens (wooden overshoes). He is possibly Girolamo Vento, a Genoese merchant living in Bruges in 1469–70.

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