xstill / differx. 2026
https://youtube.com/shorts/F-LcPc-xOMQ
https://differx.noblogs.org/2026/01/28/xstill-differx-2026/
#art #audiovideo #differx #video #differx #differxv #differxvid #xstill
#AudioVideo
Set lavalieră microfon wireless 2.4GHz pentru Android și iOS
#MicrofonWireless #LavalieraWireless #AudioVideo #CreatoriContinut #VloggingRomania #Interviuri #EducatieOnline #UtilSmartPractic #OferteOnline #CumparaturiOnline #ProduseNoi #TechRomania #Tehnologie #TehnologieRomania #ProduseDeCalitate #MagazinOnlineElectronice #MagazinOnline #ShopHaboRo #HaboRo #Habo #MagazinHaboRo
This center was destroyed, but hope remains. We need your support to reopen it for our children.
Together, we will rebuild education from the rubble.
https://chuffed.org/project/154105-islam-and-family-in-gaza-rebuilding-hope-after-war
#audiovideo #Palestina #Resistenza #ricostruzioni #bambini #children #ChrisGunness #colonialism #Gaza #genocide #genocidio #IDF #invasion #IOF #israelcriminalstate #israelestatocriminale #israelterroriststate #Palestine #sionismo #sionisti #starvingcivilians #starvingpeople #UNRWA #warcrimes #zionism
Roger Waters speaks the actual truth about Palestine
here: https://www.ilfattoquotidiano.it/2026/01/23/roger-waters-the-wall-palestina-libera-news/8266062/
https://differx.noblogs.org/2026/01/24/roger-waters-speaks-the-actual-truth-about-palestine/
#audiovideo #Palestina #Resistenza #ricostruzioni #video #FreePalestine #Gaza #genocide #Israhell #Palestine #RogerWaters #zionism
RE: https://mastodon.social/@islamjamal/115922162515020981
I am still unable to provide insulin for my father.
His health is deteriorating, the medication is unavailable, and we are helpless.
My father's insulin is a matter of life or death.
Please help in any way you can, or even just share this appeal. 🙏
#audiovideo #Palestina #Resistenza #ricostruzioni #bambini #ChrisGunness #colonialism #Gaza #genocide #genocidio #IDF #invasion #IOF #izrahell #massacri #Palestina #starvingpeople #UNRWA
Digitaalne vastuvõtja telekale: Telerile digitaalne vastuvõtja, vaata rohkem.
Naudi lemmiksaateid selge pildiga. Lihtne paigaldus ja kasutus. Telli kohe ja vaata rohkem! https://tootemaailm.ee/digitaalne-vastuvotja-telekale/ #digitaalnevastuvõtja #telekeremont #selgepilt #lemmiksaated #audiovideo
chris gunness: it’s an actual genocide
https://youtu.be/YBvHmGtm6lU
https://differx.noblogs.org/2026/01/22/chris-gunness-its-an-actual-genocide/
#audiovideo #Palestina #Resistenza #ricostruzioni #video #bambini #children #ChrisGunness #colonialism #Gaza #genocide #genocidio #IDF #invasion #IOF #israelcriminalstate #israelestatocriminale #israelterroriststate #izrahell #massacri #Palestina #Palestine #sionismo #sionisti #starvingcivilians #starvingpeople #UNRWA #warcrimes #zionism
i microvideo / differxvid
videetti tra fluxus, installazione e astrazione, dal 2006/2007:
https://noblogo.org/differx/gli-short-pubblicati-sullo-spazio-differx-di-youtube-ossia-allindirizzo
#videodifferx #abstract #fluxus #video #videosperimentali #lowres #bassarisoluzione #material
https://differx.noblogs.org/2026/01/22/i-microvideo-differxvid/
#art #audiovideo #differx #fluxus #install #installation #links #SegnaliEAzioni #TestiDiMgOnline #video #differx #differxvid #noblogo #video
“oggettistica” alla biblioteca pagliarani
https://www.youtube.com/watch?v=jGQEGfJCHgM
https://differx.noblogs.org/2026/01/15/oggettistica-alla-biblioteca-pagliarani/
#audiovideo #kritik #MarcoGiovenale #mg #ScritturaDiRicerca #ScrittureDiRicerca #SegnalazioniEAvvistamenti #SegnaliEAzioni #TestiDiMgOnline #video #Oggettistica #TestiDiMgInRete #TestiDiMgOnline #Tic #TicEdizioni
permutazioni 0¹ / luca zanini. 2025
Do you have a good human-prepared guide on getting audio/video sync right in #OBSStudio? I'm recording some videos now and lips are out of sync. All the guides I'm finding online appear to be slop.
And yes I'm on #Linux
Also, does this need to be fixed at recording time, or is there a way to do it after-the-fact?
#av #audioVideo #videoSync #videoProduction #fedora #videoEditing
untitled asemic 104119 / differx. 2025
https://youtube.com/shorts/qEEfVRdxjJU
https://differx.noblogs.org/2026/01/09/untitled-asemic-104119-differx-2025/
#art #asemic #AsemicWriting #audiovideo #differx #ScritturaAsemantica #video #asemic #AsemicVid #AsemicVideo #AsemicWriting #asemics #differx #differxv #differxvid #ScritturaAsemica #short #ShortVideo
‘A musica mia che r’è / Napoli centrale (live)
https://youtu.be/cl_ctUNg85I
https://differx.noblogs.org/2026/01/02/a-musica-mia-che-re-napoli-centrale-live/
#archivi #audiovideo #music #musica #video #DalVivo #JamesSenese #live #music #musica #NapoliCentrale
ecco gli effetti di una parziale soluzione / differx. 2014
https://youtu.be/hfsB4lGPGdc
https://differx.noblogs.org/2026/01/02/ecco-gli-effetti-di-una-parziale-soluzione-differx-2014/
#audiovideo #differx #TestiDiMgOnline #video #differx #differxv #differxvid #fluxus #InstallazioneVisiva #vid #video
kurzwellen / karlheinz stockhausen. 1968
Kurzwellen (Short Waves), for six players with shortwave radio receivers and live electronics, is a composition by Karlheinz Stockhausen, written in 1968. It is Number 25 in the catalog of the composer’s works.
Aloys Kontarsky, piano; Harald Bojé, electronium; Alfred Alings and Rolf Gehlhaar, tamtam with microphone; Johannes Fritsch, viola; Karlheinz Stockhausen, sound direction.
Conception
Kurzwellen is one of a series of works dating from the 1960s which Stockhausen designated as “process” compositions. These works in effect separate the “form” from the “content” by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Kurzwellen and three subsequent works (Spiral for a soloist, Pole for two, and Expo for three), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts (Kohl 1981, 192–93). While this separate treatment of the genetic rules for development had existed in Stockhausen’s earlier compositions, the emphasis on the process of transformation and less specificity of what is to be transformed is taken further than ever before in Kurzwellen (Stockhausen 1989, 114). The overall formal process is therefore fixed, whereas the sound materials are extremely variable (Frisius 2008, 224). The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being “the same” (Kohl 2010, 137). While the use of radios in concert works dates back at least to 1942 with John Cage’s Credo in Us, and Stockhausen may well have gotten the idea of using radios from Cage, their approaches could not have been more different. For Cage, the type of radio is a matter of indifference, since their purpose is merely to fill in prescribed time units with any sort of sound at all. Stockhausen, on the other hand, prescribed short-wave receivers because of their capability of bringing in broadcasts from far away, and for the rich variety of available sounds. These sounds are also not used indiscriminately: the performers are to search for and select only materials suitable for improvisational transformations (Kohl 2010, 135–37).
Performance practice
The composer explained that in pieces like this, “the first step is always that of imitating something and the next step is that of transforming what you’re able to imitate” (Cott 1973, 33). Each performer plays a series of events separated by pauses. An event may be played either with the radio or with an instrument, and it is also possible for a player to accompany an event on an instrument with the radio or vice versa, or to blend both together. Each event has a distinct duration defined by its subdivision into segments with a characteristic rhythm (Rigoni 1998, 235).
Each plus, minus, or equal sign indicates that, upon repetition of an event, the performer is to increase, decrease, or maintain the same level in one of four musical dimensions (or “parameters”): overall duration of the event, number of internal subdivisions, dynamic level, or pitch register/range. It is up to the performer to decide which of these dimensions is to be affected, except that vertically stacked signs must be applied to different parameters. Despite this, a large number of plus signs (for example) will result in successive events becoming longer, more finely subdivided, louder, and either higher or wider in range; a large number of minus signs will produce the reverse effect (Kohl 2010, 137).
Video created with Audacity, Sonic Visualizer, vokoscreen and OpenShot on a Debian 10 Buster KDE Linux System.
#AlfredAlings #AloysKontarsky #audio #audiovideo #HaraldBojé #JohannesFritsch #KarlheinzStockhausen #Kurzwellen #musica #musicaContemporanea #musicaSperimentale #processComposition #RolfGehlhaar #video
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