Alexei Ovsyannikov

Live smart. Die wise.

Pronouns
he / him
Location
Moscow
Age
Early 30's
Alexei Ovsyannikovpink_doublethink@pkm.social
2026-02-23

A new paper from ByteDance and several Chinese universities extends the #AI reasoning debate

The central claim is that these weaker connections let reasoning 'fold' toward better solutions, like proteins finding functional form through subtle internal forces

#Prompting takeaway: pretraining supplies the logical backbone, but eureka level outputs come from diverse contexts and surprising analogies. Logic builds the scaffold, variation enables the fold.
arxiv.org/html/2601.06002v2

Infographic with three side-by-side panels comparing reasoning styles to chemical bonds.

Left panel, “Self-Exploration as Van der Waals Forces,” shows loosely linked bubbles—Concept, Condition, Knowledge, Guess, Inference, Cause, Conclusion—connected by dotted arrows in a soft network.

Middle panel, “Deep Reasoning as Covalent Bonding,” presents a vertical chain of hexagonal “Logical Node” blocks (Step 1–3) linking Guess and Knowledge in a structured, step-by-step path.

Right panel, “Self-Reflection as Ionic Bonding,” displays a curved chain of square nodes—Previous and Reflected Logical Node—with arrows and a “Folding” loop, representing revisiting and restructuring earlier reasoning.

A side text box gives math examples: Self-Exploration tests prime cases, Deep Reasoning applies Quadratic Residue Theory to state a general result for positive integers, and Self-Reflection reexamines the assumption (m = kn) and questions divisibility.
Alexei Ovsyannikovpink_doublethink@pkm.social
2026-02-19

It’s not a style I naturally gravitate toward (I avoid short form video altogether), but the viewing experience was still intellectually engaging and unexpectedly reflective

What stands out most is the atmosphere: unusually delicate, quiet, tender.

Alexei Ovsyannikovpink_doublethink@pkm.social
2026-02-19

I recently watched the animated film Lost in Starlight

As someone studying editing, I was struck by how kinetic the cutting feels.

At times it resembles a chain of short form, tiktok like fragments assembled into a single narrative arc: yet treated with restraint, softened, almost weightless in tone

Alexei Ovsyannikovpink_doublethink@pkm.social
2026-01-30

I like seeing more #youtube creators talk about the non ideal sides of #technology. Channels like vanessa wingardh for example.

Sure, criticism and dissatisfaction boost reach, but critical content itself needs to be consumed critically

The value is in extracting a balanced signal, not absorbing the outrage

Alexei Ovsyannikovpink_doublethink@pkm.social
2026-01-09

@CubeRootOfTrue The origin of life is certainly a very important and fascinating topic.

What troubles me more is the fact that for a long time in my life I believed that if a stone has no metabolism, then it is non-living matter.

I was taught that since plants have metabolism, they grow and die, therefore a plant is alive. And since a stone does not grow and has no metabolism, it is dead and thus non-living matter.

Alexei Ovsyannikovpink_doublethink@pkm.social
2026-01-09

At the age of 30, I became acquainted with the #philosophy of hylozoism. This doctrine asserts that all matter around us is alive.

Today, it is generally considered obsolete and incapable of explaining anything. At the same time, this postulate has one very simple practical implication.

If everything is living matter, then modern biology and materials science are, in fact, a single discipline: a science of matter as such, since all matter is alive.

Alexei Ovsyannikovpink_doublethink@pkm.social
2026-01-02

But when I arrived at the dance courtyard, I was overwhelmed by #fear and loneliness. I just sat there, watching as more and more people I didn't know kept arriving. After that, I simply stood up and went home

Only on the evening of january 2 did I realize that I could have told someone. Some outwardly smiling stranger, about my insecurity and started a first conversation.

Alexei Ovsyannikovpink_doublethink@pkm.social
2026-01-02

I want to tell a story about how I don't know how to ask for help

On Dec 31, after finishing all my tasks by the evening, I decided to go to a dance party. I am learning to dance #kizomba and for a guy it's an especially difficult dance. On the night between december and january, I wanted to dance in an unfamiliar place. I thought I would dance badly so I decided not to judge myself in any way and simply offer myself as a dance partner.

Alexei Ovsyannikovpink_doublethink@pkm.social
2025-12-14

@DXBTim2008 I've been using Tusky for over a year and a half. so far, I'm happy with everything

Alexei Ovsyannikovpink_doublethink@pkm.social
2025-12-11

When I was a kid, I often felt my emotions by placing myself in these very specific imaginary locations. As I grew older, some of those places slowly disappeared.

Recently I decided to take my imagination back and build an inner home filled with the images and ideas I genuinely believe in.

This little “house in my mind” helps me stay grounded. When I talk to someone, it feels like inviting them into a cozy living room where I keep the things I’m ready to share.

#imagination #personalgrowth

Alexei Ovsyannikovpink_doublethink@pkm.social
2025-11-14

Could you recommend some alternatives to obsidian and briefly mention why each one is worth checking out?

Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-24

The contrast between the vibrant jacket and the muted, grimy setting immediately pulls the eye toward the character.

Painted by Peter Yoshi

#painting #minipainting #miniatures #diorama

This is a striking diorama that captures a moment heavy with narrative tension and atmosphere. A lone figure, clad in a yellow puffer jacket and worn jeans, descends a decaying, overgrown concrete stairwell. The contrast between the vibrant jacket and the muted, grimy setting immediately pulls the eye toward the character. The gas mask obscuring the figure’s face adds a post-apocalyptic or dystopian flavor, suggesting a world where the very air might be toxic — or at least, unknown and threatening. They carry a lantern in one outstretched hand, the warm glow subtly illuminating damp, broken tiles and creeping vegetation. What surprises me is how convincingly the artist integrates life into decay: the green vines climbing the wall, the broken wood handrail, and the corroded metal pipes above conjure a once-functional space slowly reclaimed by nature. Even the brick wall shows layers of history — green, red, white — like sediment in a ruined civilization.
Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-20
Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-18

Wiener’s warning about handing real decisions to adaptive machines feels present now.

Their reasoning is powerful and often effective, yet it moves in ways that remain strangely opaque, at once impressive and unsettling.

Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-18

When Norbert Wiener published "God & Golem, Inc." in 1964, his reflections appeared to many as an esoteric extension of cybernetics into folklore.

We’re learning this the hard way in 2025. Our systems don’t just capture useful patterns from vast human data.

They also inherit distortions, strategies, even impulses we never intended.

#Alignment has become our constant concern, a reminder that what we ask for and what we get are rarely symmetrical.

#AI #TechEthic #bookthoughts #book

Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-17

This tension in color draws the viewer’s eye to key narrative elements: control, leadership, and danger.

Painted by Keigo Murakami

#painting #minipainting #miniatures #diorama

This breathtaking sculptural composition is a feast of post-apocalyptic fantasy and symbolic storytelling, merging survivalist grit with high-concept imagination. The woman herself is painted with hyper-realistic detail: her windswept blond hair, intense expression, and flushed cheeks all suggest a moment captured mid-journey. Her attire is a collage of survival wear — torn jeans, a heavy green bomber jacket, and rugged boots — all meticulously textured. She clutches a large staff, reminiscent of both a hiking pole and a spear, as if ready to defend herself in a dangerous world. Her other hand loosely holds the thick red reins of a formidable beast. That beast — perhaps the most commanding element — is a muscular, lion-like creature with a snarling face and flaming red tongue. Its body is hunched in a tense, ready-to-pounce pose, navigating a twisted, barren trunk like a predator in motion. The red reins loop through its mouth in a surprising reversal of roles: here, it’s not the beast in control, but the girl above, guiding it with calm authority.
Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-13

This miniature seems to draw heavily from both Mad Max-style dystopian fiction and cyberpunk visual language. It’s a world where chaos reigns, but swagger and self-expression survive.

Painted by Fran Narváez

#painting #madmax #minipainting #miniatures #diorama

This image is a masterfully painted miniature set in a vividly imagined post-apocalyptic diorama. The central figure is striking: a fierce woman with short, vivid purple hair topped by a menacing headpiece made of metal spikes and scavenged machine parts, including what seems to be a stylized animal skull. Her expression is fierce, almost daring, and she holds a baseball bat slung casually across her shoulders—a visual cue that says she’s always ready for trouble. Her attire is equally rebellious and visually rich. She wears bright orange baggy pants with patches and stitched repairs, possibly prison-inspired, paired with a teal bikini-style top that contrasts sharply with her muted grey sleeves and shoulder armor. That armor itself is an asymmetric mix of jagged scrap metal, further reinforcing the scavenger-warrior aesthetic. There’s a careful chaos to her look — simultaneously pieced together and functional.
Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-11

Approached the Tucker / Altman interview with profound skepticism. I expected a master of corporate deceit.

What I observed was a man surprisingly inept at it, his discomfort a transparent veil.

The animosity I felt has curdled into a sort of bitter amusement.

youtu.be/5KmpT-BoVf4

#samaltman #tuckercarlson #openai

Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-10
Alexei Ovsyannikovpink_doublethink@pkm.social
2025-09-06

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