Ian Hunt

Former Higher education worker at Goldsmiths | #GPEW | writer on art/sometimes architecture and social housing | reader -- ecology, environment, literary modernism & -wasm, contemporary poetry | mind-wandering | London, UK | he/him

Ian Hunt boosted:
JuneSim63 💚junesim63@mstdn.social
2026-01-05

Some good news.

“It was designed like this so that the men of the coalfields, when they came to represent their pits, would enter an entrance hall equally as glorious as the entrance hall of the owners of coalmines. It was built on this grand scale to equal anything built by the aristocracy.”

#Durham #Mining #TradeUnions

‘Durham’s other cathedral’: mining union hall reopens after £14m restoration | Trade unions | The Guardian
theguardian.com/politics/2026/

Ian Hunt boosted:

Not one word of condemnation by our government of Trump's illegal act of war in Venezuela. Not one word.

2026-01-05

@adamgreenfield Your post evokes in me a wish for loudness! my ability to play loud (ie 'listen loud') is limited these days by my location (block of flats, so it can't be really loud) and my sharing of the flat with another. Perhaps I should get out more, to Cafe Oto and . . . elsewhere.

2026-01-05

Non-fiction reading collapsed, apart from reading about architecture and a happy few weeks reading Edward Said, Culture & Imperialism. I half-read a lot of good essays online that I have now forgotten. My main reading rec for 2026 is: turn off those devices. Thanks to Southern Rail for the opportunities.

2026-01-05

C20 reading is marked by a long-term commitment to the period of modernism, and an avoidance of much post-1940 writing. C19 writing is focused on the later period when realism is collapsing & being reinvented. Beatrice Webb's My Apprenticeship (1929) is among the best late C19 writing imho!

2026-01-05

C21 fiction is maybe a growth area for me, though I usually wait for a consensus to emerge before trying things out. In the case of See You Through (a book I will maybe try to write on, poem-novel) and The Lodgers, I am waving a small flag so that a few more readers try them out.

2026-01-05

I started reading #African fiction in the 90s, but that was mostly S African. Started again, with more commitment, ten years ago, beginning with the small selection in the college library. Lots still I need to find. Someone go to interview Ayi Kwei Armah in Senegal, please! always neglected US fiction (not poetry, not art) as US culture is so dominant in other ways. Hence singling it out as a region on my year end list: relenting a bit, to fill in some gaps.

2026-01-05

Most of the fiction I read is historical, by which I mean ‘pre-1970’. This is a list of books old and new read in 2025. Some aren’t novels. These aren’t recommendations though many are enthusiasms. Seeing what we read is a way of learning about gaps: as you attempt to fill in gaps, other gaps become clearer. #books #reading

Africa 
Biyi BĂĄndĂ©lĂ©, Burma Boy, 2007, YorĂčbĂĄ Boy Running, 2024 
Alex La Guma, Time of the Butcherbird, 1967, The Stone Country, 1979
Ayi Kwei Armah, Two Thousand Seasons, 1973
Nuruddin Farah, From a Crooked Rib, 1970
Cyprian Ekwensi, Burning Grass, 1961
Peter Abrahams, A Wreath for Udomo, 1956
Doris Lessing, The Grass is Singing, 1950
This year was marked by the death of Zoë Wicomb and NgƩgĩ wa Thiong'o. 

N America
Lydia Davis, Break It Down, 1986 
Maya Angelou: first three books of her amazing autobiographical sequence, 1969-76
Ralph Ellison, Invisible Man, 1952
Zora Neale Hurston, Seraph on the Suwanee, 1948
Gertrude Stein, Wars I Have Seen, 1945

C21
Geoff Gilbert and Alex Houen, See You Through, 2025
Holly Pester, The Lodgers, 2024
Roy Claire Potter, The Wastes, 2024
Mathias Enard, The Deserters, 2023, tr Charlotte Mandel 2025
Vincenzo Latronico, Perfection, 2022, tr Sophie Hughes 2025 
Jenny Erpenbeck, Go Went Gone, 2015, tr Susan Bernofsky 2017
Yoko Tawada, The Last Children of Tokyo, 2014, tr Margaret Mitsutani 2017
Susan Abulhawa, Mornings in Jenin, 2010C20
Georges Simenon, Maigret’s Pickpocket, 1967, tr Siñn Reynolds
Brigid Brophy, The Finishing Touch, 1963
William Golding, The Inheritors, 1955
Mary Butts, The Crystal Cabinet, 1937
Stevie Smith, Novel on Yellow Paper, 1936
Helen Ashton, Bricks and Mortar, 1932
Andrey Platonov, The Foundation Pit, 1930, tr Robert Chandler & Geoffrey Smith
Siegried Sassoon, Memoirs of an Infantry Officer, 1930, Sherston’s Progress, 1936
Virginia Woolf, A Haunted House, 1944, The Voyage Out, 1915, Mrs Dalloway, 1925
David Garnett, Lady into Fox & Man in the Zoo, 1922 & 1924
Trudi Tate ed. Women, Men and the Great War (short stories), 1992
Joseph Conrad, Chance, 1913
HG Wells, Marriage, 1912
DH Lawrence, The White Peacock, 1911
Jack London, The People of the Abyss, 1903
Rudyard Kipling, Kim, 1901

C19
Beatrice Webb, My Apprenticeship, published 1929
Arthur Morrison, Tales of Mean Streets, 1894
George Gissing, New Grub Street, 1891 and The Nether-World, 1889
Thomas Hardy, The Woodlanders, 1887
W H Hudson, A Crystal Age, 1887
Vernon Lee, Juvenilia, 1987
Gustave Flaubert, Bouvard and Pécuchet, 1881
Thackeray, Vanity Fair, 1847-48
2025-05-26

@SusiArnott Faber republished it with a new introduction, it is in bookshops --- & I had read Peter Abrahams's book Mine Boy . . . which is also very good . . .

Ian Hunt boosted:
Prof. Stefan Rahmstorfrahmstorf@fediscience.org
2025-05-26

Was ist schlimmer?

2025-05-26

Udomo is a moderniser, like Nkrumah, who Peter Abrahams knew in London: the fictional country 'PanAfrica' is non-specific, like the book's geography, but most closely maps onto Gold Coast/Ghana. 'Pluralia' is again non-specific but with a larger white population: suggests Rhodesia or South Africa.

2025-05-26

A Wreath for Udomo, 1956, is powerful, almost Brechtian in its presentation of competing realities & ethical dilemmas. Peter Abrahams was a superb & very clear writer of narrative who does interesting things with clarity as a method. #AfricanLiterature #reading

cover of the book: illus of London skyline and papers flying though the sky, one saying freedom, one w map of Africa
2025-05-21

@Talia discarded on the street too. It's their world!

revision card by school child, discarded: 'on us the door are closed -- metaphor, left by society
2025-05-06

@bookish Just happened to have read New Grub Street recently, so intrigued to see this series.

Ian Hunt boosted:
đƒđ«. đ•”đ–Žđ–‡đ–—đ–Šđ–Šđ–‘L â‚ČⱫ₟ 🌍SiR_GameZaloT@paktodon.asia
2025-03-11

" ‘Widespread death’ of Shisham trees in Potohar "

dawn.com/news/1896863/widespre

#ClimateChange implicated in tree deaths across the country. Unusual extreme drought and floods have upset the natural balance in soil, stressed trees enough that mass die backs have begun due to fungal infections underground.

As usual, this was only noticed once businesses began feeling the effects (furniture/carpentry).

#Pakistan #ClimateCrisis #Paktodon #Forest #Trees #LastOfUs #SouthAsia #Shisham #ClimateDiary

2025-03-09

@timwaterman Sorry that I can't get to this Tim . . . some time!

Ian Hunt boosted:
Tim Watermantimwaterman@mas.to
2025-03-09

I'm delighted to say we have moved my Professorial Inaugural Lecture this coming Monday to a larger room, so more places are now available! ucl.ac.uk/bartlett/architectur

Ian Hunt boosted:
2025-03-09

Meanwhile, #Iran and "...a broader battle over relations with the west, with the conservatives convinced that experience shows Trump and Israel, his ally, are not just untrustworthy, but bent on regime change in Iran..." #PatrickWintour
theguardian.com/world/2025/mar

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